两汉书法艺术之美学探微

发布时间：2018-05-14 03:40

本文选题：两汉书法艺术 + 书法美学思想　；参考：《四川师范大学》2017年硕士论文

【摘要】：两汉时期是中国历史上政治统一、经济繁荣、文化昌盛的一个鼎盛时代。就书法艺术的发展状况看,汉代上承先秦,下启魏晋,其时,篆书、隶书、行书、草书,各种书体并行发展;书法载体多种多样,包括简牍、刻石、碑碣等,乃是中国书法艺术史上一个具有承前启后的重要阶段。本文则拟以之为研究对象,从两汉书法艺术发展与兴盛原因、书家的书学理论和简牍、刻石等书写载体上文字的演化、流变等几个方面着手,由美学视域切入,对其进行考察、分析和解读,从中展现汉代书法艺术的发展演变、书法艺术教育和著名书家的书法美学思想、揭示简牍和刻石书法艺术的审美特征,以期深刻而全面地了解汉代书法艺术。基于此,本文研究主要分为以下几部分内容:第一部分绪论,主要从选题的意义、研究思路与目的、前人研究成果综述等方面展开论述。第二部分,分析两汉书法艺术兴盛的原因,从汉代书法教育的兴盛、书法家的推动和书学理论的形成以及文字形体结构的确立三方面探究书法艺术在汉代成为一种自觉审美追求的背景。必须首先整体地把握汉代书法艺术的发展脉络,如此才能更好地探究汉代书法艺术的美学精神。第三部分,较为详细地对汉代著名书家及书法美学思想进行考察,特别是对崔瑗、蔡邕和赵壹三位对书法艺术具有重大贡献的书法家进行详细分析,阐述他们书学理论当中所蕴含的美学思想,从而加强对汉代书法艺术美学层面的认识。第四部分,主要内容是探寻汉代简牍书体的变化和发展,从汉代简牍入手,并参考相关的其它文字资料,除力争对字体源流有更深入、更清晰地认识外,还探讨简牍书法所蕴含的深刻审美价值,及其对中国当代书法创作所产生的不可低估的影响作用。第五部分,从汉代刻石深入,通过举例对出土材料进行鉴赏和审美解读。由古文字向今文字的转变是一个漫长的演进过程,东汉时期,碑碣云起,两汉石刻为后人追寻这种转变提供了珍贵的实物资料。试图从汉字与书法艺术的双重角度对两汉石刻隶书的形体变化加以研究。在详尽分析汉碑字样的基础上,一方面探究汉碑兴起的社会文化背景,另一方面剖析汉字发展演变的规律,揭示体现刻石书法艺术的审美特征根本所在。
[Abstract]:The Han Dynasty was a period of political unity, economic prosperity and cultural prosperity in Chinese history. As far as the development of calligraphy art is concerned, in the Han Dynasty, the upper and lower Qin dynasties, the lower Wei and Jin dynasties, at that time, the seal script, official script, running script, cursive script and various types of calligraphy developed in parallel, and there were a variety of calligraphy carriers, including bamboo slips, stone inscriptions, stele tablets, etc. It is an important stage in the history of Chinese calligraphy. This article is intended to take it as the research object, from the two Han Dynasty calligraphy art development and the prosperous reason, the calligrapher's calligraphy theory and the bamboo slips, the writing carrier on the writing carrier evolution, the rheology, and so on, from the esthetics field of view, carries on the investigation to it. This paper analyzes and interprets the development and evolution of calligraphy art in Han Dynasty, calligraphy art education and famous calligrapher's aesthetic thought, and reveals the aesthetic characteristics of bamboo slips and stone engraving calligraphy art, in order to deeply and comprehensively understand the calligraphy art of Han Dynasty. Based on this, this paper is divided into the following parts: the first part is the introduction, mainly from the significance of the topic, research ideas and purposes, previous research results summary and so on. The second part analyzes the reasons why calligraphy art flourished in the Han Dynasty, from the rise of calligraphy education in the Han Dynasty. The promotion of calligraphers, the formation of the theory of calligraphy and the establishment of the form and structure of characters to explore the background of calligraphy art became a conscious aesthetic pursuit in the Han Dynasty. In order to explore the aesthetic spirit of calligraphy art in Han Dynasty, we must grasp the development of calligraphy art as a whole. In the third part, the famous calligraphers and calligraphy aesthetics in Han Dynasty are investigated in detail, especially the three calligraphers, Cui Yuan, Cai Yong and Zhao Yi, who have made great contributions to the calligraphy art. This paper expounds the aesthetic thought contained in their calligraphy theory, so as to strengthen the understanding of the aesthetic level of calligraphy art in the Han Dynasty. In the fourth part, the main content is to explore the changes and development of the calligraphy style of the bamboo slips in the Han Dynasty, starting with the bamboo slips of the Han Dynasty, and referring to other relevant text materials, in addition to striving to have a deeper and clearer understanding of the source and flow of the fonts, It also discusses the profound aesthetic value of the calligraphy of the bamboo slips and its influence on contemporary Chinese calligraphy. The fifth part, from the Han Dynasty stone-engraving depth, through examples to unearthed material appreciation and aesthetic interpretation. The transformation from ancient characters to modern characters is a long evolutionary process. During the Eastern Han Dynasty, stone inscriptions in the Han Dynasty provided precious material for future generations to pursue this kind of change. This paper attempts to study the changes of the form of stone engraving official script in Han Dynasty from the angle of Chinese characters and calligraphy art. On the basis of detailed analysis of the words and characters in Han Dynasty, on the one hand, it probes into the social and cultural background of the rise of Han tablets, on the other hand, analyzes the law of the development and evolution of Chinese characters, and reveals the basic aesthetic characteristics of the art of engraving stone calligraphy.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J292.1

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