浅谈中国书法批评主体的建构

发布时间：2018-05-24 17:18

本文选题：批评主体 + 时代精神　；参考：《中国书法》2017年22期

【摘要】：书法艺术的发展在特定的时代有其本质的规定性,在时代精神的作用之下,本质的规定性的形成需要书法批评主体与书法本体形成内在的张力,并以书法批判主体进行引导,通过对书法本体的反思,在流变之中时刻生成对书法本体的否定,而这一个过程是承接双向的过程,我们可以称之为解构与建构的过程。本文通过聚焦文化价值观和构成哲学的理论态度,形成由内向外和由外向内的审美新范式,以期书法审美的本质得到真正的回归。
[Abstract]:The development of calligraphy art has its essential stipulation in the specific times. Under the action of the spirit of the times, the formation of the essence regulation needs the inner tension between the subject of calligraphy criticism and the body of calligraphy criticism, and guided by the subject of criticism of calligraphy. Through the reflection of calligraphy Noumenon, the negation of calligraphy Noumenon is generated at all times in the process of evolution, and this process is a two-way process, so we can call it the process of deconstruction and construction. By focusing on the cultural values and the theoretical attitude of composing philosophy, this paper forms a new aesthetic paradigm from inside to outside and from outside to inside, in order to get a true return to the essence of calligraphy aesthetics.
【作者单位】：首都师范大学中国书法文化研究院;中共辽宁省委党校;
【分类号】：J292.1

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