扬州画派书风摭谈

发布时间：2018-05-25 07:49

本文选题：西岳华山庙碑 + 杨法　；参考：《中国书法》2012年05期

【摘要】：正"扬州八怪"的书画家大都兼擅书画,其中高凤翰、汪士慎、李淪、黄慎、金农、高翔、郑燮及杨法等人不仅书法造诣类出,风格独特,而目在艺术追求与审美趣味上相互影响,取向接近,在乾隆年间的书坛上形成了一个特殊的艺术群体。在书法上,他们大都抛弃官方书法的"雅",而转向民间碑刻的粗野朴拙并从中寻觅到创造的启示。应该说,他们是清代碑学的先导者与实践者。金农(一六八七—一七六三),隶书成就最高。早年受时风熏陶,学郑| 从《夏承碑》人手,后得见《西岳华山庙碑》,习之,初步形成自己的面目。这一时期
[Abstract]:Most of the calligraphers and calligraphers of "the eight Yangzhou strange" are good at painting and calligraphy. Among them, Gao Fenghan, Wang Shing, Li Lun, Huang Shen, Jin Nong, Gao Xiang, Zheng Xie and Yang FA and others are not only famous for calligraphy, but also have a unique style in their artistic pursuit and aesthetic taste. They form a special art group in the calligraphy circles in the Qianlong period. Most of them abandoned the "elegance" of the official calligraphy, and turned to the crude and unsophisticated and unsavorness of the folk inscriptions. It should be said that they were the pioneers and practitioners of the stele in the Qing Dynasty. Jin Nong (1687 - 1763), the highest achievement of the official script. The temple monument has gradually formed its own face.
【作者单位】：四川大学艺术学院;
【分类号】：J292.1

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