北碑的化用

发布时间：2018-06-07 05:36

本文选题：北碑 + 近现代化　；参考：《中国书法》2015年15期

【摘要】：正谁能预见,这个古老的民族在近现代化过程中倡起"碑学",而且是伴随着苦难危亡的历史沧桑。"三千年未有之变局"后,我们"透过刀锋看笔锋",希望观得书者、刻者的心思与工巧,风土雷雨的化形,点划间存续的篆隶行草的余韵,滥觞着唐楷的高峰和后代的化生。百年来书法的语境全部转换,今天,我们习惯以艺术的眼光来看北碑和写北碑,很容易形成碑帖二分的隔膜。若站在历史源头俯视,会发现,一千多年来,对于北碑的取用是个不断由化用趋于相用的过程。"化用"即变化北碑之形象化为己用。用者圆融,主动将北碑形
[Abstract]:Who can foresee that this ancient nation advocated "tablet study" in the process of modernization, and was accompanied by the vicissitudes of history. " After three thousand years of change, we "looked at the pen blade through the blade", hoping to see the book reader, the mind and workmanship of the engraver, the form of the wind and earth thunderstorm, the remaining rhyme of the seal script and the line grass that existed between the lines, which originated from the peak of Tang Kai and the metamorphosis of the descendants. Over the past hundred years, the context of calligraphy has all changed. Today, we are used to looking at Bei tablet and writing Bei tablet from an artistic point of view, it is very easy to form a dichotomy. If you look down at the source of history, you will find that for more than a thousand years, the use of the northern tablet has been a process of constant conversion. " Conversion "that is to change the image of the Northern tablet for their own use." The user is mellow, take the initiative to form the north tablet
【作者单位】：陕西师范大学;
【分类号】：J292.1

【相似文献】