葛月潭书法艺术研究

发布时间：2018-06-09 11:39

本文选题：葛月潭 + 生平述略　；参考：《渤海大学》2017年硕士论文

【摘要】：葛月潭是辽宁省的书法大家,他将道家观念融会到他的书法审美内涵中,并形成独特的书法风格,具有很大地研究价值。文章以葛月潭的作品书迹、诗词、弟子评语、友人题跋为线索,结合道家思想和清末民初时期的历史背景对其书法艺术进行分析和研究,论文分为三部分:第一,对葛月潭书法生平行迹及书法交游问题的梳理,明晰其在生活上的处事态度,有泰尔不娇、温和有礼的性情,同时与书家的交游使得他增加了见识,拓展了视野,也影响了他的书法创作。第二,结合历史背景对葛月潭隶书、行书、草书的分期创作进行研究,进而对其书法作品宗源、书法风格特征、道家书法境界进行深层次地阐述。葛月潭前中期的书风受时代“馆阁”书家和“金石考据”的影响,其书风偏于整丽秀美的风格。晚年以道参学,寻找虚静自然之态,寄情于书法的创作。草书能溯古而新,臻于妙境,得自然之法,成就最大,后人评其书法为“风交雪”。第三,通过葛月潭所处的时代背景、人生际遇、心理变化、学养知识的蕴藉来把握对道家思想的认识,走出“帖学”拟古追崇之风的观念,将道家的回归人性,摆脱世俗制约,追求书法中出人意料的自然之美,引申到对书法的认识中,形成“真”与“淡”的道家审美内涵。
[Abstract]:GE Yuetan is a calligrapher in Liaoning Province. He merges Taoist ideas into his aesthetic connotations of calligraphy and forms a unique calligraphy style, which has great research value. Based on GE Yuetan's writings, poems, disciples' comments, and friends' postscript, this paper analyzes and studies the calligraphy art of GE Yuetan in combination with the Taoist thought and the historical background of the late Qing Dynasty and the early Republic of China. The paper is divided into three parts: first, Combing the life of GE Yuetan and the problems of calligraphy travel, and clarifying his attitude in life, there is a gentle and courteous disposition of Tyr. At the same time, his friendship with the calligraphers has enabled him to increase his knowledge and broaden his horizons. Also influenced his calligraphy creation. Secondly, combining with the historical background, this paper studies the stage creation of Geyuetan official script, running script and cursive script, and then expounds the origin of calligraphy works, the characteristics of calligraphy style and the realm of Taoist calligraphy. The book style of GE Yuetan was influenced by "Guange Pavilion" and "Jin Shi textual Research" in the past and middle period. In his later years, he sought the state of virtual quiet and nature, and sent his feelings to the creation of calligraphy. Cursive calligraphy can be traced back to ancient times and new, in good territory, the method of nature, the greatest achievement, later comments on its calligraphy as "wind and snow." Third, through the background of GE Yuetan's times, life experience, psychological changes, the implication of learning knowledge to grasp the understanding of Taoist thought, go out of the idea of "placard study" to pursue the ancient style, return Taoism to human nature and get rid of the secular restriction. The pursuit of the unexpected beauty of nature in calligraphy extends to the understanding of calligraphy and forms the Taoist aesthetic connotation of "truth" and "light".
【学位授予单位】：渤海大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J292.1

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