两汉时期河南砖刻书法铭文艺术探析

发布时间：2018-06-11 16:54

本文选题：砖文 + 时代　；参考：《湖北美术学院》2017年硕士论文

【摘要】：两汉在中国书法史中上追春秋先秦下启隶楷八分,多种书法文字艺术在这关键时期、蜕变、发展、成形。也是中国文字走向书法艺术的发展期。近年来,河南洛阳、偃师、许昌等地区大量的汉砖出土为我们提供了又一个非常重要的书法实物资料,是继竹简木牍石刻之后研究汉代书法又一新的物质媒介。本文主要分五个部分:第一部分是两汉河南刻字砖文面貌概述。第二部分主要从西汉到东汉时期河南砖文的空间分布及时间特征。第三部分是对河南砖文书法的艺术风格加以分析。第四部分将河南刻字砖文与不同载体文字相比较。第五部分由砖文看汉代书法艺术的演变,进而深入的分析汉代河南刻字砖文书法艺术的发展。对于汉代刻字砖文的研究著述有很多,笔者将以胡海帆,汤燕老师编写的中国古代砖刻铭文集为参考,线性的研究两汉河南刻字砖文使之更为全面清晰。本文的创新之处在于由线到面、由浅到深,逐步研究发展,对前辈老师的研究成果从新审视研究加以分析,提出自己的观点。最主要的是透过刻字砖文看两汉河南书体的演变和汉字到书法艺术的发展,提出汉代书体多元并存的发展脉络。同时也挖掘刻字砖文存在的书法艺术价值。
[Abstract]:The Han Dynasty in Chinese calligraphy history to catch up with the Spring and Autumn period before Qin Qi Li Kai eight points, a variety of calligraphy in this critical period, transformation, development, formation. It is also the development period of Chinese characters towards calligraphy art. In recent years, a large number of Han bricks unearthed in Luoyang, Yanshi, Xuchang and other areas in Henan Province have provided us with another very important material for calligraphy, which is a new material medium for studying calligraphy in the Han Dynasty after bamboo slips and wooden slips and stone carvings. This paper is divided into five parts: the first part is the Han Dynasty Henan characters and brickwork outline. The second part mainly from the Western Han Dynasty to the Eastern Han Dynasty Henan brick text spatial distribution and time characteristics. The third part is to analyze the artistic style of Henan brick calligraphy. The fourth part compares Henan characters with different carrier characters. The fifth part looks at the evolution of calligraphy art in Han Dynasty from brick text, and then analyzes the development of calligraphy art in Henan Province. For the Han Dynasty, there are a lot of research works, the author will take Hu Haifan and Tang Yan's collection of inscriptions of ancient Chinese brick inscriptions as reference, and make it more comprehensive and clear by the linear study on the inscriptions of Henan characters in the Han Dynasty. The innovation of this paper is from line to surface, from shallow to deep, step by step research and development, the research results of the previous generation teachers are analyzed from a new perspective, and their own views are put forward. The most important thing is to see the evolution of Henan calligraphy style and the development of Chinese characters to calligraphy art through the engraving of characters and brickwork, and put forward the development context of the pluralistic coexistence of calligraphy style in Han Dynasty. At the same time, it also excavates the calligraphy art value.
【学位授予单位】：湖北美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J292.1

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