明清篆刻字法操作理论分析

发布时间：2018-06-14 23:03

  本文选题：明清印论 + 字法　； 参考：《南京艺术学院学报(美术与设计版)》2012年02期

【摘要】：明清印论中的字法理论,其主要内容包括取法理论、审美理论以及操作理论。本文以明清字法操作理论作为研究对象,通过详细梳理、解读相关印论,从朱白文印的用字准则以及入印文字的具体配置这两项内容着手,分析归纳明清印学家对于字法操作的主要观点。对于朱白文印的用字准则,本文将以列表的方式,对具有代表性的观点进行整理和分析;对于入印文字的配置法,则通过图解的方式进行阐述。
[Abstract]:The main contents of the theory of character method in the printing theory of Ming and Qing dynasties include the theory of drawing method, the theory of aesthetics and the theory of operation. This article takes the operation theory of the Ming and Qing characters as the research object, through combing in detail, interpreting the relevant printing theory, starting from the two contents: the Chinese characters of Zhu Baiwen and the concrete disposition of the printed characters. Analysis and induction of the Ming and Qing printing scholars on the operation of the main views. For the Chinese characters of Zhu Baiwen, this paper will sort out and analyze the representative views in the form of list, and illustrate the collocation of the printed text by graphic method.
【作者单位】： 清华大学美术学院;
【分类号】：J292.4
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本文编号：2019335