书札是人性的自由舒卷

发布时间：2018-06-16 12:58

本文选题：当代书法 + 性的自由　；参考：《中国书法》2012年07期

【摘要】：正书札作为书家自由书写的艺术,在古代达到了心手合一的境界。然而当代世界笼罩着一种形式化、规格化的气氛——印刷品泛滥,电子复制使艺术日益走向形式化、商品化,当代书法和其他艺术正变成不断与自身本体脱离的求新求异过程,作品成为一种没有尽头的试验。这种令人窒息的花样翻新的结果是沉默和失语,艺术成为无对象的技术至上角逐,甚至成为心性缺席的走极端反文化的形式,而日常交流的手札却几乎消失殆尽。如何在日益信息化、科层化的社会中,保持住人间的诗意,生命的意义和书法的人间情怀,是当代手札必得面对的问题。古人的精神世界和人文情怀与他的笔墨相合拍。我
[Abstract]:As the art of free writing by calligraphers, Zhengshu reached the realm of integration of heart and hand in ancient times. However, the contemporary world is shrouded in a formalized, standardized atmosphere-the proliferation of printed materials, electronic reproduction to make art increasingly formalized, commercialized, contemporary calligraphy and other art is becoming a process of seeking new and different from their own ontology. The work became an endless experiment. The result of this suffocating pattern is silence and aphasia, art becomes an object-free technological supremacy, and even a form of extreme anticulture in which the mind is absent, and the hand of daily communication is almost gone How to maintain the poetic meaning of human life and the human feelings of calligraphy in the increasingly information-based and stratified society is a problem that must be faced by contemporary writers. The ancients' spiritual world and humanistic feelings were in harmony with his pen and ink. I
【分类号】：J292.1

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