金文创作中的墨法探析

发布时间：2018-06-18 00:44

本文选题：金文 + 用墨　；参考：《山东艺术学院》2017年硕士论文

【摘要】：篆书是中国书法艺术的最早存在形态,也是学习书法的基础,明·丰坊《书诀》中写:“古大家之书,必通篆籀,然后结字淳古,使转劲逸,伯喈以下皆然。”金文属于先秦文字,金文作品大多刻于钟鼎之上,我们能够看到的金文作品为铸刻,而不是墨迹书法,且书法用墨的史实在有简帛和纸以后,所以在学习金文时往往关注于篆书的用笔、结字等方面,而忽略了篆书中的用墨的重要性。金文创作不仅仅要靠点画和结构来表现空间关系,墨法的运用能够更直观的使书法作品的黑白关系更加明确。张彦远《历代名画记》提出“运墨而五色具”,墨色能够表现丰富的色彩,“书画同源”,墨法的运用可以提升书法作品在视觉上的立体空间。本文把金文创作中的墨法运用作为重点研究对象,通过了解古代墨法的发展及演变,结合近现代代表书家创作的金文作品进行分析,理解他们的金文作品中对笔墨的处理,重点学习他们金文作品中对墨法的运用及创新意识,在自己的学习实践中加入墨法的运用,练习书写浓、淡、干、湿等不同墨色的用笔变化、行笔快慢等,并体会墨法运用与用笔、用水等其他相关因素的相互关系,在继承古人的基础上尝试创新,把墨法运用合理地融入到金文书法的创作中,努力提高自己金文创作的表现力。在书法创作中只有把墨法运用与各方面结合起来,使书法作品做到整体的协调统一,更能够丰富表现金文作品的艺术形式美感,并且从中表达出作者书法创作时的思想感情。
[Abstract]:Seal script is the earliest existing form of Chinese calligraphy art, and also the basis for learning calligraphy. In the book of the Ming Feng Fang, it is written: "the book of ancient people must pass through seal and then complete the characters to make it easy and easy." Jin Wen belongs to the pre-Qin characters, and most of its works are engraved on the bell tripod. The works we can see are cast inscriptions, not ink calligraphy, and the historical facts of calligraphy with ink are after the existence of simple silk and paper. Therefore, in the study of the Jin Dynasty, it often pays attention to the pen and the conclusion of the seal script, while neglecting the importance of using ink in the seal script. The creation of Jin Dynasty not only depends on the painting and structure to express the spatial relationship, but also the use of ink can make the black and white relationship of calligraphy more explicit. Zhang Yanyuan's Notes of famous paintings in the past dynasties put forward that "moving ink with five colors", ink color can express rich colors, "calligraphy and painting are the same", and the application of ink method can enhance the three-dimensional space of calligraphy works in vision. This paper focuses on the application of ink in the creation of Jin Dynasty, through understanding the development and evolution of ancient ink, and combining with the works of modern and modern representative calligraphers, to understand the treatment of strokes and ink in their works of gold writing. Focus on studying the use and innovative consciousness of ink in their works of gold writing, adding the use of ink in their own learning practice, practicing the changes of different ink colors, such as thick, light, dry, wet and so on, and the speed of writing, etc. The author also understands the relationship between the use of ink and other relevant factors, such as pen, water, etc., tries to innovate on the basis of inheriting the ancients, integrates the use of ink into the creation of the calligraphy of the Jin Dynasty reasonably, and makes great efforts to improve the expressive power of his own writing of the gold. In calligraphy creation, only by combining the application of ink law with all aspects, the calligraphy works can be coordinated and unified as a whole, which can enrich the aesthetic sense of artistic form of Jin Wen works, and express the author's thoughts and feelings in calligraphy creation.
【学位授予单位】：山东艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J292.1

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