论书法审丑的谱系

发布时间：2018-06-25 11:26

本文选题：审丑谱系 + 流行书风　；参考：《中国书法》2017年22期

【摘要】：书法中审丑的开始可以追溯到宋代,这是一个书法趣味开始形成的时代。趣味天然地具有一种扩张的本性,它要将自己的触角伸向最广阔的领域,因此开始形成对丑拙书法的审美。宋代之前的书法是一种以"善好"为共同目标的书法,从宋代以后形成了以个性为目标的书法,这是导致书法审丑形成的深层原因。经过碑学运动后,丑拙书法开始进入书法主流,但只有经过二十世纪末的流行书风的改造,这种书法才最终得以完成,它是将书法作为纯粹艺术追求的产物。然而,丑书还有可以继续深入的空间,流行书风并没有触及丑书更深刻的层面。这是值得继续探索的方向。
[Abstract]:The beginning of appreciating ugliness in calligraphy can be traced back to the Song Dynasty. Interest naturally has an expanding nature, it wants to extend its tentacles to the widest field, so it began to form the aesthetic of ugly calligraphy. Before the Song Dynasty, calligraphy was a kind of calligraphy with the common goal of "good and good". From the Song Dynasty onwards, the calligraphy with personality as its goal was formed, which is the deep reason leading to the formation of calligraphy appreciation of ugliness. After the stele movement, ugly calligraphy began to enter the mainstream of calligraphy, but only after the transformation of the popular style of calligraphy at the end of the twentieth century, this kind of calligraphy was finally completed, and it was the product of pure art pursuit. However, there is still room for further development of ugly books, and the popular style of books does not touch the deeper level of ugly books. This is a direction worthy of further exploration.
【作者单位】：上海师范大学;
【分类号】：J292.1

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