取姿质抑或尚气格——心画论平议

发布时间：2018-07-06 19:46

本文选题：书为心画 + 书艺　；参考：《中国书法》2017年14期

【摘要】：西汉扬雄从文学理论的角度提出"书为心画"的观点,后为书法理论所转用。这一理论经过从注重书家内在精神特质,到叠加后天学识修养,终至偏重伦理化、功利化的道德标准,渐次完成了自身的理论构建。"书为心画"所代表的传统书论,内在的存在着书艺与书品离合相悖的矛盾,同时也呈现出道德引导和标准伦理化的双重效应。
[Abstract]:From the angle of literary theory, Yang Xiong of the Western Han Dynasty put forward the view that "calligraphy is the heart and painting", and then changed to calligraphy theory. This theory has gradually completed its own theoretical construction, from paying attention to the intrinsic spiritual characteristics of the calligrapher, to superimposing the acquired knowledge and accomplishment, and finally to the ethical and utilitarian moral standards. " The traditional book theory represented by the book is the heart painting. There is a contradiction between the art of books and the separation of books and works. At the same time, there is a double effect of moral guidance and standard ethics.
【作者单位】：许昌学院魏晋文化研究所;
【分类号】：J292.1

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