《祀三公山碑》研究

发布时间：2018-07-11 19:05

本文选题：东汉 + 章法　；参考：《河北科技大学》2017年硕士论文

【摘要】：《祀三公山碑》碑身净高150cm,宽96cm,其全称为《汉常山相冯君祀三公山碑》,现存187字,与《白石神君碑》共存于河北省元氏县封龙山汉碑堂。元氏县自古为常山郡,文化背景深厚,石刻资源丰富。此碑于宋代淹没,最早见著于元代而后消失,至清中期重现于世并引发巨大关注、研究,近现代以来中外专家学者对《祀三公山碑》的考据研究不胜枚举。石碑主要讲述汉安帝刘祜时期元初四年常山相冯君到任后,率部下及民众在建立神庙、遥祭神灵,答谢三公山神保佑常山郡风调雨顺、喜获丰收并祈求永享福泽,立碑记述。《祀三公山碑》以其体大字多、品相完好而被世人追捧,成为清及其后的金石学、书家临摹研习之范本。《祀三公山碑》的艺术风格古朴大气、雄浑矫健;其章法特点“竖有行,横无列”,字体篆隶杂糅、方中带圆;单刀刻法,笔力遒劲。此碑在章法、结构、笔法上对书法、篆刻、国画影响突出,邓石如、黄士陵、齐白石、童大年、来楚生的书画作品中皆有此碑风貌,齐白石的艺术风格受其影响尤为明显。其艺术风格在形式美及蕴藏的前人对书法变革、创新的观念影响至今,在观赏性逐渐代替实用性的书法创作中,当代语境下的书法创作融入了新的思考、形式、空间等因素,这种纵横开阖、气势磅礴的汉代精神,篆隶杂糅、勇于思辨的创新意识是鼓励大家一直向前发展的动力。
[Abstract]:The tablet is 150 cm high and 96 cm wide. It is called "Han Changshan Xiangfeng Junxi Sangongshan tablet", with 187 characters, which coexisted in Fenglongshan Hanbeitang, Yuanshi County, Hebei Province. Yuanshi County has been Changshan County since ancient times, with a deep cultural background and rich stone carving resources. The monument was inundated in the Song Dynasty, first written in the Yuan Dynasty and then disappeared, reappeared in the middle of the Qing Dynasty and aroused great concern. The stone tablet mainly tells of the arrival of Feng Jun, the minister of Changshan in the first four years of the Yuan Dynasty in the Han Andi Liu Hu period, and the people were setting up temples, offering sacrifices to the gods, thanking the gods of the three Gongshan Mountains for the smooth weather in Changshan County, enjoying a bumper harvest and praying for everlasting enjoyment of the blessing. The inscription of the Monument. "the monument to the three Gongshan" is sought after by the world because of its large characters and good quality, and has become a model for the study of gold and stone in the Qing Dynasty and its aftermath. The art style of "Sangongshan Monument" is simple and elegant and vigorous; Its characteristics of the method of "vertical line, horizontal no column", font Zhuan Li mixed, square with a circle; single knife engraving method, the strength of the pen. The tablet has a prominent influence on calligraphy, seal cutting and traditional Chinese painting in its composition, structure and stroke. Deng Shiru, Huang Shiling, Qi Baishi, Tong Danian have this monument style in his calligraphy and painting works, and the artistic style of Qi Baishi is especially affected by it. Its artistic style has influenced the concept of calligraphy innovation and innovation in the beauty of form and its predecessors. In the process of calligraphy creation in which appreciation gradually replaces practicality, the calligraphy creation in the contemporary context has incorporated new factors, such as thinking, form, space, and so on. The spirit of the Han Dynasty, the Zhuan Li mixed, and the innovative consciousness of bravely thinking are the motive force to encourage everyone to develop forward all the time.
【学位授予单位】：河北科技大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J292.1

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