宁波印人对海派篆刻的影响
发布时间:2018-07-23 07:37
【摘要】:二十世纪前期,开埠通商给上海带来了商业繁荣,环境的改变促使大量的文化移民的涌入,以吴昌硕为首的各路篆刻精英汇集于此,不同印风的产生促使各种篆刻流派的形成,抒情写意为主的吴派、工整静雅的赵派、恬淡高古的王福庵印风和奇诡雄浑的钱瘦铁印风等等,汇聚成中国篆刻史上灿烂篇章-“海派篆刻”。宁波印人在印坛的地位举足轻重,曾有“海派篆刻半壁江山”之说,对海派篆刻的推动和发展有着深刻的影响。本文以近现代宁波篆刻艺术的状况分析为切入点,以清末民国初至文革前的出生在宁波后曾旅居上海的代表印人展开,通过对宁波篆刻形成的文化基础的分析,探究宁波印人印学思想形成的客观因素与主观因素,梳理他们的经历、师承和交游,通过与海派篆刻主要人物的印风比较,研究、总结他们的篆刻成就和印学思想,最终完成他们对海派篆刻的影响之阐述。近现代篆刻史中宁波印人有着极其辉煌的艺术成就,他们和海派篆刻有着千丝万缕的关系,他们曾经影响、推动了海派篆刻艺术的发展,他们立足传统、博采众长的印学思想至今仍然影响着现代印坛,平和、渊雅的工稳印风依旧是江浙沪的主要印风之一。优秀的艺术传统是通往出新的途径,创新源于对传统的继承,这是千古不变的艺术规律。
[Abstract]:In the early 20th century, the opening of ports and commerce brought commercial prosperity to Shanghai, and the changes in the environment prompted the influx of a large number of cultural immigrants. The various seal cutting elites, led by Wu Changshuo, gathered here, and the emergence of different printing styles led to the formation of various seal cutting schools. The Wu School of lyric brushwork, the quiet and elegant Zhao School, the tranquil and ancient Wang Fuan and the strange and powerful money and thin iron printing style converged into a brilliant chapter in the history of Chinese seal cutting-"Seal carving by Shanghai School". Ningbo Indians played a very important role in the printing world, and had a profound influence on the promotion and development of seal cutting. Based on the analysis of the art of seal cutting in Ningbo in modern times, and the representative Indians who were born in Ningbo after the Cultural Revolution from the end of the Qing Dynasty to the early period of the Cultural Revolution, this paper analyzes the cultural foundation formed by the seal cutting in Ningbo. This paper explores the objective and subjective factors of the formation of the Indian impressionist thought in Ningbo, combs their experiences, studies the imprint style of the main characters of seal cutting in Shanghai, and summarizes their seal cutting achievements and impressionist thoughts, by comparing them with the imprint style of the main characters in seal cutting of the Shanghai school. The final completion of their impact on seal cutting in Shanghai. In the history of seal cutting in modern times, the people of Ningbo Seal engraving have extremely brilliant artistic achievements. They are closely related to the seal cutting of the Shanghai School. They have influenced and promoted the development of seal cutting art of the Shanghai School, and they have established themselves in the tradition. The impressionist thought still affects the modern printing world. The gentle and elegant work is still one of the main printing styles in Jiangsu, Zhejiang and Shanghai. Excellent art tradition leads to a new way, and innovation originates from the inheritance of tradition, which is a constant art rule.
【学位授予单位】:中国艺术研究院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J292.4
本文编号:2138673
[Abstract]:In the early 20th century, the opening of ports and commerce brought commercial prosperity to Shanghai, and the changes in the environment prompted the influx of a large number of cultural immigrants. The various seal cutting elites, led by Wu Changshuo, gathered here, and the emergence of different printing styles led to the formation of various seal cutting schools. The Wu School of lyric brushwork, the quiet and elegant Zhao School, the tranquil and ancient Wang Fuan and the strange and powerful money and thin iron printing style converged into a brilliant chapter in the history of Chinese seal cutting-"Seal carving by Shanghai School". Ningbo Indians played a very important role in the printing world, and had a profound influence on the promotion and development of seal cutting. Based on the analysis of the art of seal cutting in Ningbo in modern times, and the representative Indians who were born in Ningbo after the Cultural Revolution from the end of the Qing Dynasty to the early period of the Cultural Revolution, this paper analyzes the cultural foundation formed by the seal cutting in Ningbo. This paper explores the objective and subjective factors of the formation of the Indian impressionist thought in Ningbo, combs their experiences, studies the imprint style of the main characters of seal cutting in Shanghai, and summarizes their seal cutting achievements and impressionist thoughts, by comparing them with the imprint style of the main characters in seal cutting of the Shanghai school. The final completion of their impact on seal cutting in Shanghai. In the history of seal cutting in modern times, the people of Ningbo Seal engraving have extremely brilliant artistic achievements. They are closely related to the seal cutting of the Shanghai School. They have influenced and promoted the development of seal cutting art of the Shanghai School, and they have established themselves in the tradition. The impressionist thought still affects the modern printing world. The gentle and elegant work is still one of the main printing styles in Jiangsu, Zhejiang and Shanghai. Excellent art tradition leads to a new way, and innovation originates from the inheritance of tradition, which is a constant art rule.
【学位授予单位】:中国艺术研究院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J292.4
【参考文献】
相关期刊论文 前4条
1 秦文文;;沙孟海在上海五年篆刻略论[J];书法赏评;2015年05期
2 朱琪;;吴昌硕对近代印坛的影响[J];中国书法;2014年23期
3 彭作飚;;赵叔孺印学思想管窥——以其边款为例[J];艺术品;2014年02期
4 俞建伟;蒋华;;近现代甬上篆刻各家析评[J];书法之友;1999年11期
相关重要报纸文章 前2条
1 张奕辰;;关于印坛巨擘赵叔孺先生[N];东方早报;2015年
2 王琪森;;海派篆刻群体结盟西泠及邂逅“1912年”[N];东方早报;2015年
,本文编号:2138673
本文链接:https://www.wllwen.com/wenyilunwen/shufayishu/2138673.html