褚遂良书风对当代书法创作的影响
发布时间：2018-07-23 07:45
【摘要】：褚遂良是初唐时期著名的书法家,但留下来的书法真迹却很稀少,作为成熟标志的《雁塔圣教序》,也是中国书法史上里程碑式的作品,其作品的用笔变化丰富,略参古隶,以行入楷,空中入纸,开启了大唐尚法之门。其婀娜遒劲、方圆兼施、俊瘦刚润,古淡虚灵的风格面目引领了唐代楷书新格,成为书法的广大教化主。褚遂良家学渊源,多承父佑。其父好交友,来者亦都贤豪,名士,褚遂良从小生活在北方政治权利中心,又从小天资聪慧好学,书法和仕途得欧阳询、虞世南、房玄龄、魏征等父友、长辈的帮扶。遂得玄宗赏识,遍赏二王真迹,这些都是他成大家得天独厚的环境。本文根据镌刻碑文的时间把褚遂良现存真迹分为早期和晚期两种,《伊阙佛龛碑》《孟法师碑》是褚遂良书法早期风格,是对欧、虞二人及北碑隋碑的总结消化。《房玄龄碑》《雁塔圣教序》为褚遂良书法的晚期风格作品,是其意识的成熟带来了艺术的成熟。后人受其影响,仿作甚多,其中不乏好伪物,其中以《阴符经》和《倪宽赞》为代表,与褚遂良晚期书法风格有同样的艺术价值,是后人重点临习对象。褚遂良在学习前人的基础上,大胆创新,自成一格。突破了欧、虞、二王,风格面貌的影响,创造出了虚淡仙逸、清劲古雅的艺术风格。创立了一套新的楷书笔法和语言,增加了楷书线条的表现力。其风格特征具体表现为一、变化多端的起收笔,楷行兼用产生的势与力,俯仰提按的多种组合变化。二、结体宽博而倚斜相依、避让得体、重心挪移生动活泼。三、章法上整饬而生动,大小变化,疏密有致。使其一改前朝旧体,开大唐新风。褚遂良书法艺术影响了从唐至今的无数书家,本文通过对历届书法国展中,以褚风创作的作品的分析,来探讨当代展览中受褚遂良影响的几个方面主要体现在以下几个方面一、吸收瘦劲俊逸、古朴清旷的风格面貌。二、以《阴符经》笔法与《雁塔圣教序》飘逸清旷的气质相结合。三、把《雁塔圣教序》以行入楷的运笔方法加入到楷书从创作中。四、对《雁塔圣教序》风格的忠实再现。通过分析可知,当代学习褚遂良书法的问题有一、大多精美小巧的中楷为主缺乏大气磅礴的作品。二、书法作品大多只取其疏瘦而失其腴润,取其动势而韧劲不足。三、用笔直率,但生硬直露尖峭,失其厚重古朴。介于这种情况文中以沈尹默和徐无闻两位书法大家为例,简述其学褚书的体会和经验。希望能给今天学褚创作带来一些参考。褚遂良书法对当代书法创作影响深广,主要表现在从笔法上:给我们当代书法创作提供了以行入楷、空中运笔的方法,从结体上:给我们当代书法创作提供了宽博疏朗,飘逸俊拔的独特面貌风格样式。从造境上:给我们当代书法创作提供了古朴渊雅、澹定清旷、轻云挂空、仙人啸树的意境。褚遂良书法是生命力经久不衰的经典法书,对今天的书法创作有强大的生命力和影响力。
[Abstract]:Chu Suiliang was a famous calligrapher in the early Tang Dynasty, but the original calligraphy remains were rare. As a mature symbol, the Goose Pagoda's holy prelude was also a landmark in the history of Chinese calligraphy. Line into the block, the air into the paper, opened the door of the Tang law. Its graceful, round and round, handsome, thin and smooth, the style of the ancient pale spirit of the Tang Dynasty lead to the new style of regular script, become the master of the vast edification of calligraphy. Chu Suiliang's family origin is full of Fu you. His father is good to make friends, who are also Xian Hao, celebrities, Chu Suiliang living in the northern political rights center, but also from small talent intelligent and studious, calligraphy and official career Ouyang inquiry, Yu Shinan, Fang Xuanling, Wei Zheng, and other father friends, elders help. So the Xuanzong appreciate, appreciate the two true Wang, these are his unique environment into everyone. According to the time of inscription, this paper divides Chu Suiliang's extant authentic works into early and late stages. The inscription of the shrine of Yilque, the tablet of Master Meng, is the early style of Chu Suiliang's calligraphy, and it is a kind of calligraphy for Europe. Abstract and digestion of Sui Stele of Yu Er-ren and Bei Bei. Fang Xuanling Monument > Goose Pagoda's Preface is the late style works of Chu Suiliang's calligraphy and it is the maturity of his consciousness that brings about the maturity of art. The later generations were influenced by it and made many imitations, among which there were many good artifacts. Among them, "Yin Fu Jing" and "Ni Kwanzan" were the representatives, which had the same artistic value as the late calligraphy style of Chu Suiliang, and were the important objects for the later generations to learn. On the basis of learning from his predecessors, Chu Suiliang boldly innovated and formed his own style. Broke through the influence of Europe, Yu, two kings, style appearance, created the artistic style of pure and delicate, pure and elegant. Created a new set of regular script writing and language, increased the performance of regular script lines. The characteristics of its style are as follows: 1. The variety of starting and closing pen, the potential and force produced by both the block and the line, and the variety of combinations of pitching and lifting. Second, the knot body wide and oblique dependent, to avoid appropriate, the center of gravity moved lively. Third, the rules are neat and vivid, size changes, dense. Make it change the old style of the former dynasty and open up the new style of the Tang Dynasty. Chu Suiliang's calligraphy art has influenced countless calligraphers from the Tang Dynasty to the present. Through the analysis of the works created by Chu Feng in the past calligraphy exhibitions, this paper explores several aspects of the contemporary exhibitions that are mainly influenced by Chu Suiliang in the following aspects: 1. Absorption thin strength handsome, simple and clear style of the face. Second, the "Yin Fu Jing" method and the "Goose Pagoda Scripture" elegant and clear temperament combined. Third, the Goose Pagoda Scripture was added to the creation of regular script with the method of moving pen into block letters. Fourth, the faithful reproduction of the style of the Goose Pagoda Scripture. According to the analysis, there is one problem in the study of Chu Suiliang's calligraphy, and most of the exquisite and compact Chinese block letters lack majestic works. Second, most calligraphy works only take its thinness and lose its moisture, take its momentum and toughness. Third, with a pen straight, but stiff straight sharp, lost its heavy ancient. In this case, taking Shen Yinmo and Xu Wuwen as examples, the author briefly describes his experience in studying Chu Shu. I hope I can bring some references to the study of Chu's creation today. Chu Suiliang's calligraphy has a profound influence on contemporary calligraphy creation, which is mainly manifested in its brushwork: it provides us with a method of carrying pen in the air, and from the conclusion, it provides us with a broad and sparse style for contemporary calligraphy creation. Elegant and handsome unique appearance style and style. From the environment: to our contemporary calligraphy to provide a simple and elegant, Dan Qing Qing, light cloud hanging empty, Xianren howling tree artistic conception. Chu Suiliang calligraphy is a classic book with enduring vitality, which has great vitality and influence on today's calligraphy creation.
【学位授予单位】：四川美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J292.1
本文编号：2138695
[Abstract]:Chu Suiliang was a famous calligrapher in the early Tang Dynasty, but the original calligraphy remains were rare. As a mature symbol, the Goose Pagoda's holy prelude was also a landmark in the history of Chinese calligraphy. Line into the block, the air into the paper, opened the door of the Tang law. Its graceful, round and round, handsome, thin and smooth, the style of the ancient pale spirit of the Tang Dynasty lead to the new style of regular script, become the master of the vast edification of calligraphy. Chu Suiliang's family origin is full of Fu you. His father is good to make friends, who are also Xian Hao, celebrities, Chu Suiliang living in the northern political rights center, but also from small talent intelligent and studious, calligraphy and official career Ouyang inquiry, Yu Shinan, Fang Xuanling, Wei Zheng, and other father friends, elders help. So the Xuanzong appreciate, appreciate the two true Wang, these are his unique environment into everyone. According to the time of inscription, this paper divides Chu Suiliang's extant authentic works into early and late stages. The inscription of the shrine of Yilque, the tablet of Master Meng, is the early style of Chu Suiliang's calligraphy, and it is a kind of calligraphy for Europe. Abstract and digestion of Sui Stele of Yu Er-ren and Bei Bei. Fang Xuanling Monument > Goose Pagoda's Preface is the late style works of Chu Suiliang's calligraphy and it is the maturity of his consciousness that brings about the maturity of art. The later generations were influenced by it and made many imitations, among which there were many good artifacts. Among them, "Yin Fu Jing" and "Ni Kwanzan" were the representatives, which had the same artistic value as the late calligraphy style of Chu Suiliang, and were the important objects for the later generations to learn. On the basis of learning from his predecessors, Chu Suiliang boldly innovated and formed his own style. Broke through the influence of Europe, Yu, two kings, style appearance, created the artistic style of pure and delicate, pure and elegant. Created a new set of regular script writing and language, increased the performance of regular script lines. The characteristics of its style are as follows: 1. The variety of starting and closing pen, the potential and force produced by both the block and the line, and the variety of combinations of pitching and lifting. Second, the knot body wide and oblique dependent, to avoid appropriate, the center of gravity moved lively. Third, the rules are neat and vivid, size changes, dense. Make it change the old style of the former dynasty and open up the new style of the Tang Dynasty. Chu Suiliang's calligraphy art has influenced countless calligraphers from the Tang Dynasty to the present. Through the analysis of the works created by Chu Feng in the past calligraphy exhibitions, this paper explores several aspects of the contemporary exhibitions that are mainly influenced by Chu Suiliang in the following aspects: 1. Absorption thin strength handsome, simple and clear style of the face. Second, the "Yin Fu Jing" method and the "Goose Pagoda Scripture" elegant and clear temperament combined. Third, the Goose Pagoda Scripture was added to the creation of regular script with the method of moving pen into block letters. Fourth, the faithful reproduction of the style of the Goose Pagoda Scripture. According to the analysis, there is one problem in the study of Chu Suiliang's calligraphy, and most of the exquisite and compact Chinese block letters lack majestic works. Second, most calligraphy works only take its thinness and lose its moisture, take its momentum and toughness. Third, with a pen straight, but stiff straight sharp, lost its heavy ancient. In this case, taking Shen Yinmo and Xu Wuwen as examples, the author briefly describes his experience in studying Chu Shu. I hope I can bring some references to the study of Chu's creation today. Chu Suiliang's calligraphy has a profound influence on contemporary calligraphy creation, which is mainly manifested in its brushwork: it provides us with a method of carrying pen in the air, and from the conclusion, it provides us with a broad and sparse style for contemporary calligraphy creation. Elegant and handsome unique appearance style and style. From the environment: to our contemporary calligraphy to provide a simple and elegant, Dan Qing Qing, light cloud hanging empty, Xianren howling tree artistic conception. Chu Suiliang calligraphy is a classic book with enduring vitality, which has great vitality and influence on today's calligraphy creation.
【学位授予单位】：四川美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J292.1
【参考文献】
相关期刊论文 前2条
1 刘灿铭;程娇龙;;中国当代书法创作风格分期研究[J];东南大学学报(哲学社会科学版);2014年03期
2 郑付忠;;欧、虞、褚在太宗一朝命运之比较[J];艺术探索;2011年01期
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