魏晋风度与魏晋书法关系研究

发布时间：2018-08-04 11:24

【摘要】：中国书法史就是中国书法风格的历史,书法的时代风格、地域风格、个人风格虽有差异,但前后也有承传关系。在某一历史时期,其特定的时代风格、地域风格及个人风格总有相近或相似的一面。研究书法风格要研究书法风格背后的政治、经济、文化背景及特点,这样才有可能获得比较全面的认识。书法风格的形成,除了字体演进的客观因素外,社会的哲学思潮及个人的审美思想占主导作用,而一定的社会哲学思潮又从不同的角度对个人的审美思想产生种种影响。魏晋书法在中国书法史上占有极其重要的历史地位,因而,研究魏晋书风的成因也是一项极有意义的工作。本文在吸取前人研究成果的基础上,对魏晋风度与魏晋书法的关系进行了比较系统的研究,全文共三万余字,分为六部分。第一章,绪言。在这一部分中,阐述了选题的意义及自南朝至今人们对魏晋书法研究的历史,作了总体的概括。第二章,魏晋风度产生的政治背景及其与书法的关系。本章分为三部分,阐述魏晋风度的内涵,探讨政治背景对书法艺术发展的意义。第三章,魏晋风度形成的文化背景及其与书法的关系。本章共分为两个部分,着重从魏晋文化的大视野中研究诸学说与书法艺术的关系。第四章,玄学的兴起及其与书法的关系。着重阐述了玄学对士人心态及创作者心态的影响,玄学与书法品评的关系,总结了魏晋的书法品评之风。第五章,魏晋风度与魏晋书风。对书法风格的概念及其成因做了阐释,并从魏到东晋的书风演变中观照魏晋风度所起的历史作用。第六章,阐释了魏晋书法的历史意义。
[Abstract]:The history of Chinese calligraphy is the history of Chinese calligraphy style. In a certain historical period, its particular style of the times, regional style and personal style always have similar or similar side. It is necessary to study the political, economic, cultural background and characteristics of calligraphy style in order to obtain a more comprehensive understanding. In addition to the objective factors of the evolution of calligraphy style, social philosophical thoughts and personal aesthetic thoughts play a leading role, while certain social philosophical thoughts have various influences on individual aesthetic thoughts from different angles. Calligraphy in the Wei and Jin dynasties occupies an extremely important historical position in the history of Chinese calligraphy, therefore, it is also a very meaningful work to study the causes of the calligraphy style in the Wei and Jin dynasties. Based on the previous research results, this paper makes a systematic study on the relationship between Wei and Jin style and calligraphy in Wei and Jin dynasties. The full text consists of more than 30,000 words, which are divided into six parts. Chapter one, introduction. In this part, the significance of the topic and the history of calligraphy research in Wei and Jin dynasties are summarized. The second chapter, the political background of Wei and Jin Dynasty style and its relation with calligraphy. This chapter is divided into three parts, expounding the connotation of Wei and Jin style, and discussing the significance of political background to the development of calligraphy art. Chapter three, the cultural background of Wei and Jin dynasties and its relationship with calligraphy. This chapter is divided into two parts, focusing on the relationship between the theories and calligraphy art from the view of Wei and Jin culture. Chapter four, the rise of metaphysics and its relationship with calligraphy. This paper mainly expounds the influence of metaphysics on the mentality of scholars and creators, the relationship between metaphysics and calligraphy evaluation, and summarizes the style of calligraphy criticism in Wei and Jin dynasties. The fifth chapter, Wei Jin style and Wei Jin calligraphy style. This paper explains the concept of calligraphy style and its causes, and looks at the historical function of Wei and Jin dynasties in the evolution of calligraphy style from Wei to the Eastern Jin Dynasty. Chapter six explains the historical significance of calligraphy in Wei and Jin dynasties.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J292.1

【引证文献】