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共同地用笔墨精神

发布时间:2018-08-13 16:08
【摘要】:正笔墨是中国书画的特色精华、物化载体与精神折射。如果一幅作品中缺少笔墨,就难言成为传统的中国书画。两者在用笔和章法的错落处理上简直如同出一辙。最基本的也就是同为用线传力度,用形传情感,讲究线条与墨点的连贯性。两者用笔方法同为依靠手腕和手臂来控制行笔的速度,都是通过笔的中锋与侧锋、藏锋与露锋、顺锋与逆锋、转折与提按、拖笔与战笔,这些是数千年积累演进的技巧经验,形成书画的根本。同时,用墨和用笔是不能分离的,在国画中墨色运用非常
[Abstract]:Pen and ink is the essence of Chinese calligraphy and painting, materialized carrier and spirit refraction. If a painting is short of ink and brush, it can not be said to be traditional Chinese calligraphy and painting. The two are the same in the treatment of errors in the pen and the rules. The most basic is the same for the use of line transmission, with the form of emotion, pay attention to line and ink point coherence. The two methods of writing both rely on the wrist and arm to control the speed of the pen, both through the center and side front of the pen, the Tibetan front and the open front, the shun front and the reverse front, the turning and pushing, the dragging pen and the warhead. These are thousands of years of accumulated skill experience in evolution. Form the basis of painting and calligraphy. At the same time, ink and pen can not be separated, in traditional Chinese painting, the use of ink color is very
【分类号】:J292.1

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