两汉书法发展模式研究
发布时间：2018-08-20 10:06
【摘要】： 两汉时期是中国书法史上一个划时代的时期。 这一时期,书法(文字)的发展呈现出与以往完全不同的形态模式:书法(文字)在应用层面首次出现了官体与民间的区别。这两条线在相互交融中又并驾齐驱向前发展,我们称这种双线或多线同时发展的模式为书法史的复线发展模式。并且,这种模式对后世书法史的发展起着规定性的作用,并成为一种固定的模式贯穿于整个书法史。 本文认为,书法的发展同文字的演化一样,是一个动态的渐近过程。书法的历史是一部发展史。本文正是立足于这一观点,力图找出这个渐近过程的内在规律。书法在漫长的历史进程中,其发展演进受到诸多因素的影响,这些因素都对书法的发展起到了重要作用。而自秦起,书法的发展开始呈现出复线发展的形态,这种形态的实质体现为一种正草关系,正体和草率始终在交替演进。一方面政府依靠王权的力量,努力去规范文字,即是官体,或称为“正体”;另一方面,民间在应用中又不断的将其消解、草化,称为“草写”。而这种“草化”又非毫无拘束,它始终受到“正体”的制约。于是,经过一次官方的规范化,“草化”又趋于定型与规范,以此往复,型成一种演进的规律。这种现象是一个过程,而不是结果。本文尝试以书法的视角,对两汉时期这一特殊现象做深入详细的探讨,尝试找出其内在的规律以及形成这个规律的原因。 本文主要从以下四个方面加以论述:一、首先梳理两汉时期文字与书法的关系,从而在整体上对这个时期书法的发展有一个宏观的把握;二、从实用的层面,梳理自秦以来书法的复线发展及出现这种形态的内在原因;三、深入分析两汉时期的复线发展特征,及由这种复线关系所延升出的正草关系的历史原因及其内在的规律;四、对两汉时期对书法复线关系中的正草关系形态作系统的梳理与总结,并深入分析论证他们之间的逻辑因果关系;五、论述两汉书法的复线发展模式对书法史研究的意义,以及对现代书法发展的启示。
[Abstract]:The Han Dynasty was an epoch-making period in the history of Chinese calligraphy. In this period, the development of calligraphy (characters) showed a completely different form: calligraphy (character) in the application of the first time appeared the difference between official style and folk. These two lines develop side by side in the process of blending. We call this dual or multi-line development model as the double-line development mode in the history of calligraphy. Moreover, this model plays a prescriptive role in the development of the later calligraphic history, and becomes a fixed model throughout the whole calligraphic history. This paper holds that the development of calligraphy, like the evolution of characters, is a dynamic asymptotic process. The history of calligraphy is a history of development. Based on this viewpoint, this paper tries to find out the inherent law of the asymptotic process. In the long course of history, the development and evolution of calligraphy is influenced by many factors, all of which play an important role in the development of calligraphy. Since the Qin Dynasty, the development of calligraphy began to take the form of double-line development, the essence of this form is a kind of positive grass relationship, orthotypic and hasty evolution has always been alternately. On the one hand, the government relies on the strength of Wang Quan to standardize the characters, that is, the official style, or "orthodox"; on the other hand, the folk constantly dispel it in the application, and it is called "cursive writing". But this kind of "grass" is not unfettered, it is always subject to the "orthodox" constraints. As a result, after an official standardization, "grass" tends to set and regulate, so as to form a law of evolution. This phenomenon is a process, not an outcome. From the perspective of calligraphy, this paper attempts to make a deep and detailed discussion on this special phenomenon in the Han Dynasty, and tries to find out its inherent law and the reasons for its formation. This article mainly discusses from the following four aspects: first, combing the relationship between writing and calligraphy in the Han Dynasty, so as to have a macro grasp of the development of calligraphy in this period as a whole; second, from the practical level, Combing the development of the double line calligraphy since Qin Dynasty and the internal reasons of the appearance of this form; third, deeply analyzing the characteristics of the development of the double line in the Han Dynasty, and the historical reasons and the inherent laws of the relationship between the upright grass and the regular grass which have been extended by this kind of double line relationship; fourth, This paper systematically combs and summarizes the form of positive grass relation in the relationship of double lines of calligraphy in the Han Dynasty, and deeply analyzes and proves the logical causal relationship between them. Fifth, it discusses the significance of the development mode of double line of calligraphy in the Han Dynasty to the study of calligraphy history. And the enlightenment to the development of modern calligraphy.
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J292.1
本文编号：2193226
[Abstract]:The Han Dynasty was an epoch-making period in the history of Chinese calligraphy. In this period, the development of calligraphy (characters) showed a completely different form: calligraphy (character) in the application of the first time appeared the difference between official style and folk. These two lines develop side by side in the process of blending. We call this dual or multi-line development model as the double-line development mode in the history of calligraphy. Moreover, this model plays a prescriptive role in the development of the later calligraphic history, and becomes a fixed model throughout the whole calligraphic history. This paper holds that the development of calligraphy, like the evolution of characters, is a dynamic asymptotic process. The history of calligraphy is a history of development. Based on this viewpoint, this paper tries to find out the inherent law of the asymptotic process. In the long course of history, the development and evolution of calligraphy is influenced by many factors, all of which play an important role in the development of calligraphy. Since the Qin Dynasty, the development of calligraphy began to take the form of double-line development, the essence of this form is a kind of positive grass relationship, orthotypic and hasty evolution has always been alternately. On the one hand, the government relies on the strength of Wang Quan to standardize the characters, that is, the official style, or "orthodox"; on the other hand, the folk constantly dispel it in the application, and it is called "cursive writing". But this kind of "grass" is not unfettered, it is always subject to the "orthodox" constraints. As a result, after an official standardization, "grass" tends to set and regulate, so as to form a law of evolution. This phenomenon is a process, not an outcome. From the perspective of calligraphy, this paper attempts to make a deep and detailed discussion on this special phenomenon in the Han Dynasty, and tries to find out its inherent law and the reasons for its formation. This article mainly discusses from the following four aspects: first, combing the relationship between writing and calligraphy in the Han Dynasty, so as to have a macro grasp of the development of calligraphy in this period as a whole; second, from the practical level, Combing the development of the double line calligraphy since Qin Dynasty and the internal reasons of the appearance of this form; third, deeply analyzing the characteristics of the development of the double line in the Han Dynasty, and the historical reasons and the inherent laws of the relationship between the upright grass and the regular grass which have been extended by this kind of double line relationship; fourth, This paper systematically combs and summarizes the form of positive grass relation in the relationship of double lines of calligraphy in the Han Dynasty, and deeply analyzes and proves the logical causal relationship between them. Fifth, it discusses the significance of the development mode of double line of calligraphy in the Han Dynasty to the study of calligraphy history. And the enlightenment to the development of modern calligraphy.
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J292.1
【引证文献】
相关博士学位论文 前1条
1 冯继红;汉字文化圈西夏文、女书书法文化研究[D];中央民族大学;2012年
相关硕士学位论文 前2条
1 刘凡超;定州汉简《儒家者言》研究[D];河北师范大学;2012年
2 司晓洁;论汉代士人儒家思想对汉碑的影响[D];河南大学;2013年
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