论项穆《书法雅言》的美学意蕴
发布时间：2018-08-30 16:47
【摘要】：项穆(1552-1599)是明代著名的书法家、书法理论家,其书学著作《书法雅言》表达了书法审美以及书法艺术鉴赏的书学思想。本文对《书法雅言》所蕴含的书学思想和美学内涵进行了深入的分析、探讨及发掘,分为三个部分来论述。第一章,项穆《书法雅言》的书学思想的形成。首先介绍项穆所处的时代背景,了解当时明代中后期思想解放的潮流;其次从项穆的家庭背景着手,了解项穆生平;再者介绍文化背景,分析儒家传统文化对于项穆书学思想的影响;最后介绍书学背景即项穆《书法雅言》对前人书学思想的继承和发展。第二章,项穆《书法雅言》的文本和结构剖析。通过对《书法雅言》的文本进行剖析,从而归纳总结出项穆的书学思想。从总论、创作论、作品论、欣赏论、继承与发展五个角度来归纳总结《书法雅言》十七个章节的理论内容。第三章,《书法雅言》的美学内涵。首先从项穆书学思想中的"正宗"概念入手,分析其含义,突出其对书法创作的规矩的强调;其次从"中和"概念入手,彰显其儒学思想背景,强调以"中和"为书法艺术的审美理想;最后指出其"人正则书正"艺术人格化命题的思想来源及对人格化的进一步强调。本文主要采取文本解读和概念分析的研究方法。对项穆《书法雅言》的文本进行了细致深入的梳理和解读,并利用美学和艺术哲学的理论进行了进一步的分析和挖掘。从而彰显了《书法雅言》作为一部书学著作的理论的严谨和系统的完备,在突出其美学思想的同时,试图对书法的学习与创作起到指导作用。
[Abstract]:Xiang Mu (1552-1599) is a famous calligrapher and calligraphy theorist in Ming Dynasty. His calligraphy works "calligraphy elegant words" expresses the calligraphy aesthetic and calligraphy art appreciation. This paper makes a deep analysis of the thought and aesthetic connotation of calligraphy, discusses and excavates, and discusses it in three parts. Chapter one, the formation of the calligraphy thought of Xiang Mu. First of all, it introduces the background of Xiang Mu's time and understands the trend of ideological emancipation in the middle and late Ming Dynasty; secondly, from the family background of Xiang Mu, he understands the life of Xiang Mu; and then introduces the cultural background. This paper analyzes the influence of Confucian traditional culture on Xiang Mu's thought of calligraphy, and finally introduces the background of calligraphy, that is, the inheritance and development of Xiang Mu's calligraphy thought. Chapter two analyzes the text and structure of Xiang Mu's calligraphy. By analyzing the text of calligraphy refined language, this paper sums up Xiang Mu's thought of calligraphy. This paper summarizes the theoretical contents of 17 chapters of calligraphy from five angles: general theory, creation theory, work theory, appreciation theory, inheritance and development. The third chapter, the aesthetic connotation of calligraphy elegant words. First of all, starting with the concept of "authentic" in Xiang Mu's thought of calligraphy, analyzing its meaning, highlighting its emphasis on the rules of calligraphy creation, secondly, starting with the concept of "neutralization", showing its Confucian ideological background. Finally, the author points out the ideological source of the humanization proposition of his "regular book" art and the further emphasis on personalization. This article mainly adopts the text interpretation and the concept analysis research method. The text of Xiang Mu's calligraphy and refined words is carefully combed and interpreted, and further analyzed and excavated by the theory of aesthetics and art philosophy. This shows the rigorous theory and the complete system of calligraphy as a literary work, and tries to play a guiding role in the study and creation of calligraphy while highlighting its aesthetic thought.
【学位授予单位】：安徽大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J292.1-5
本文编号：2213675
[Abstract]:Xiang Mu (1552-1599) is a famous calligrapher and calligraphy theorist in Ming Dynasty. His calligraphy works "calligraphy elegant words" expresses the calligraphy aesthetic and calligraphy art appreciation. This paper makes a deep analysis of the thought and aesthetic connotation of calligraphy, discusses and excavates, and discusses it in three parts. Chapter one, the formation of the calligraphy thought of Xiang Mu. First of all, it introduces the background of Xiang Mu's time and understands the trend of ideological emancipation in the middle and late Ming Dynasty; secondly, from the family background of Xiang Mu, he understands the life of Xiang Mu; and then introduces the cultural background. This paper analyzes the influence of Confucian traditional culture on Xiang Mu's thought of calligraphy, and finally introduces the background of calligraphy, that is, the inheritance and development of Xiang Mu's calligraphy thought. Chapter two analyzes the text and structure of Xiang Mu's calligraphy. By analyzing the text of calligraphy refined language, this paper sums up Xiang Mu's thought of calligraphy. This paper summarizes the theoretical contents of 17 chapters of calligraphy from five angles: general theory, creation theory, work theory, appreciation theory, inheritance and development. The third chapter, the aesthetic connotation of calligraphy elegant words. First of all, starting with the concept of "authentic" in Xiang Mu's thought of calligraphy, analyzing its meaning, highlighting its emphasis on the rules of calligraphy creation, secondly, starting with the concept of "neutralization", showing its Confucian ideological background. Finally, the author points out the ideological source of the humanization proposition of his "regular book" art and the further emphasis on personalization. This article mainly adopts the text interpretation and the concept analysis research method. The text of Xiang Mu's calligraphy and refined words is carefully combed and interpreted, and further analyzed and excavated by the theory of aesthetics and art philosophy. This shows the rigorous theory and the complete system of calligraphy as a literary work, and tries to play a guiding role in the study and creation of calligraphy while highlighting its aesthetic thought.
【学位授予单位】：安徽大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J292.1-5
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