徐渭书法美学思想探微
发布时间：2018-11-04 09:07
【摘要】：明代徐渭有比较丰富的书法美学思想。他从传统之美、自然之美和人格之美:一个维度系统地阐述了书法之美的内涵,认为美的书法作品不但要有篆籀等古体的底蕴,而且要具备自然的韵致,同时还需有骨力、萧散等人格情感内涵,最终达到外合造化与传统、内通心源的至美之境。徐渭的美学思想在中国书法理论史上具有重要意义。
[Abstract]:Xu Wei in Ming Dynasty had abundant aesthetic thought of calligraphy. From the aspects of traditional beauty, natural beauty and personality beauty, he systematically expounded the connotation of the beauty of calligraphy. He thought that beautiful calligraphy works should not only have the inside information of ancient style such as seal and Zhou, but also have natural rhyme and bone strength. Xiaosan and other emotional connotation of personality, and finally reached the external creation and tradition, the inner heart source of the most beautiful environment. Xu Wei's aesthetic thought is of great significance in the history of Chinese calligraphy theory.
【作者单位】： 陕西理工大学文学院;
【基金】：二○一五年陕西省教育厅专项科研计划项目(15JK1137) 陕西理工大学中国语言文学省级优势学科科研基金项目(16ZGY08) 陕西理工学院博士人才启动项目(SLGQD13-43)阶段性成果
【分类号】：J292.1
[Abstract]:Xu Wei in Ming Dynasty had abundant aesthetic thought of calligraphy. From the aspects of traditional beauty, natural beauty and personality beauty, he systematically expounded the connotation of the beauty of calligraphy. He thought that beautiful calligraphy works should not only have the inside information of ancient style such as seal and Zhou, but also have natural rhyme and bone strength. Xiaosan and other emotional connotation of personality, and finally reached the external creation and tradition, the inner heart source of the most beautiful environment. Xu Wei's aesthetic thought is of great significance in the history of Chinese calligraphy theory.
【作者单位】： 陕西理工大学文学院;
【基金】：二○一五年陕西省教育厅专项科研计划项目(15JK1137) 陕西理工大学中国语言文学省级优势学科科研基金项目(16ZGY08) 陕西理工学院博士人才启动项目(SLGQD13-43)阶段性成果
【分类号】：J292.1
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