清代江南女性书法研究
发布时间：2018-11-06 07:47
【摘要】：在中国古代社会,女性社会地位十分低下,书法艺术的传承、发扬者多为男性,书法史上女性书家,只有蔡文姬、卫夫人、李清照、管道f等少数人。明朝中后期江南地区资本主义的萌芽,促进了当地社会经济的发展。经济的发展带动了文化的繁荣,在这种时代背景下,书法发展至清代,在江南地区出现了一批书法水平不可小觑的女性。尽管在现代寻常的书法教科书中,人们也许找不到她们的名字,但是我们仍可以从一些史料记载中了解到这批女性的书写功底。本论文通过对江南女性书法史料及作品的深入研究,发现许多女性书法资料及作品早已淹没在动荡不安的岁月中了。本论文只能通过现存的文献资料,对清代江南女性所处地域文化背景、交游情况及其诗文资料的考察,从中窥见清代江南女性书法家的大概造诣。清代270年间的书法发展史上,关于女性书家的记载虽然不多,但她们凭借自己的聪慧才智赢得了自己的一席之位。本论文在认真梳理原始文献的基础上,对清代江南地区的女性诗人书法进行了较为全面的整理和研究。女性群体历来地位不高,作为其中的一分子,笔者希望通过自己的研究能够引起今人对女性的关注。历史上,史册上提到女性书家的著作也有不少,但是关于清代江南女性的书法所涉甚微。本论文以清代女性诗人、书法家为研究对象,对文献资料中江南女性的书法成就做了系统的整理研究。一方面,通过对女性所处时代及其家族文化的分析,更好地了解她们的书法活动背景。另一方面,笔者对清代江南女性的书法活动及书法特征进行分析,从而更好地认识这一群体的书法价值以及对清代书法的贡献。笔者通过比较研究清代江南女性的书法艺术,也会使人们认识到书法仅仅是清代女性艺术造诣的一个方面,她们在诗词、绘画、刺绣等艺术也有着出色的造诣。清代江南女性处在中国封建社会末期,其书法发展有自身的艺术特色。在继承传统书法艺术精华的基础上,创造了中国女性书法发展的新局面,成为中国女性书法发展史上不可或缺的一部分。清代江南女性虽身处在封建社会的压迫下,但她们仍在书法艺术领域留下了自己浓墨重彩的一笔。最后本论文通过有选择的分析清代江南女性书法对清代及后世的意义,进一步论证了清代江南女性在书法领域独一无二的地位。
[Abstract]:In the ancient Chinese society, the social status of women was very low. The inheriting of calligraphy art was mostly carried out by men. In the history of calligraphy, there were only a few people, such as Cai Wenji, Madame Wei, Li Qingzhao, pipeline and so on. The budding of capitalism in Jiangnan region in mid-and late Ming Dynasty promoted the development of local society and economy. The development of economy led to the prosperity of culture. In this era, calligraphy developed to the Qing Dynasty, in the south of the Yangtze River, a number of calligraphy level of women can not be underestimated. Although their names may not be found in modern calligraphy textbooks, we can still learn about the writing skills of these women from some historical records. Through the in-depth study of the historical materials and works of female calligraphy in Jiangnan, it is found that many of the materials and works of female calligraphy have long been submerged in the turbulent years. This paper can only through the existing literature, the Qing Dynasty Jiangnan women in the geographical and cultural background, the situation of friends and the literature of the survey, from which to see the Qing Dynasty Jiangnan female calligrapher's general attainments. In the history of calligraphy in 270 years of Qing Dynasty, there were few records about female calligraphers, but they won their place by virtue of their intelligence. On the basis of combing the original literature, this paper makes a comprehensive study on the calligraphy of female poets in the south of the Yangtze River in Qing Dynasty. As a member of the group, the author hopes to attract the attention of women through his own research. In history, there are many books about female calligraphers, but the calligraphy of women in the south of the Yangtze River in Qing Dynasty has little implications. This paper, taking female poets and calligraphers in Qing Dynasty as the research object, makes a systematic study on the calligraphy achievements of Jiangnan women in the literature. On the one hand, through the analysis of the age and family culture of women, we can better understand their background of calligraphy activities. On the other hand, the author analyzes the calligraphy activities and characteristics of Jiangnan women in the Qing Dynasty, so as to better understand the calligraphy value of this group and its contribution to the calligraphy of the Qing Dynasty. Through the comparative study of the calligraphy art of Jiangnan women in Qing Dynasty, the author will also make people realize that calligraphy is only one aspect of the artistic attainments of women in Qing Dynasty, and they also have outstanding attainments in poetry, painting, embroidery and other arts. Jiangnan women in Qing Dynasty were in the end of Chinese feudal society, and their calligraphy development had their own artistic characteristics. On the basis of inheriting the essence of traditional calligraphy art, it creates a new situation for the development of Chinese female calligraphy and becomes an indispensable part in the history of Chinese female calligraphy development. Although women in the south of the Yangtze River in Qing Dynasty were oppressed by feudal society, they still left their own brushwork in the field of calligraphy. Finally, this paper through the selective analysis of the Qing Dynasty Jiangnan female calligraphy for the Qing Dynasty and later generations of significance, further demonstrated the Qing Dynasty Jiangnan women in the field of calligraphy unique position.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J292.1
本文编号：2313611
[Abstract]:In the ancient Chinese society, the social status of women was very low. The inheriting of calligraphy art was mostly carried out by men. In the history of calligraphy, there were only a few people, such as Cai Wenji, Madame Wei, Li Qingzhao, pipeline and so on. The budding of capitalism in Jiangnan region in mid-and late Ming Dynasty promoted the development of local society and economy. The development of economy led to the prosperity of culture. In this era, calligraphy developed to the Qing Dynasty, in the south of the Yangtze River, a number of calligraphy level of women can not be underestimated. Although their names may not be found in modern calligraphy textbooks, we can still learn about the writing skills of these women from some historical records. Through the in-depth study of the historical materials and works of female calligraphy in Jiangnan, it is found that many of the materials and works of female calligraphy have long been submerged in the turbulent years. This paper can only through the existing literature, the Qing Dynasty Jiangnan women in the geographical and cultural background, the situation of friends and the literature of the survey, from which to see the Qing Dynasty Jiangnan female calligrapher's general attainments. In the history of calligraphy in 270 years of Qing Dynasty, there were few records about female calligraphers, but they won their place by virtue of their intelligence. On the basis of combing the original literature, this paper makes a comprehensive study on the calligraphy of female poets in the south of the Yangtze River in Qing Dynasty. As a member of the group, the author hopes to attract the attention of women through his own research. In history, there are many books about female calligraphers, but the calligraphy of women in the south of the Yangtze River in Qing Dynasty has little implications. This paper, taking female poets and calligraphers in Qing Dynasty as the research object, makes a systematic study on the calligraphy achievements of Jiangnan women in the literature. On the one hand, through the analysis of the age and family culture of women, we can better understand their background of calligraphy activities. On the other hand, the author analyzes the calligraphy activities and characteristics of Jiangnan women in the Qing Dynasty, so as to better understand the calligraphy value of this group and its contribution to the calligraphy of the Qing Dynasty. Through the comparative study of the calligraphy art of Jiangnan women in Qing Dynasty, the author will also make people realize that calligraphy is only one aspect of the artistic attainments of women in Qing Dynasty, and they also have outstanding attainments in poetry, painting, embroidery and other arts. Jiangnan women in Qing Dynasty were in the end of Chinese feudal society, and their calligraphy development had their own artistic characteristics. On the basis of inheriting the essence of traditional calligraphy art, it creates a new situation for the development of Chinese female calligraphy and becomes an indispensable part in the history of Chinese female calligraphy development. Although women in the south of the Yangtze River in Qing Dynasty were oppressed by feudal society, they still left their own brushwork in the field of calligraphy. Finally, this paper through the selective analysis of the Qing Dynasty Jiangnan female calligraphy for the Qing Dynasty and later generations of significance, further demonstrated the Qing Dynasty Jiangnan women in the field of calligraphy unique position.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J292.1
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