颜真卿《自书告身帖》对后世的影响—兼论古人对真伪法帖学习的现象及态度
发布时间：2018-11-13 13:49
【摘要】：盛唐时期,著名书法家颜真卿,其书法艺术对后世影响巨大,被赞誉为中国书法史上“第二座高峰”,其书法艺术成就对后世影响深远。颜真卿书法在其书法生涯的每个时期都有不同的特点,风格变化多样,其独特的“颜体书风”,是后世书法学习的典范。而颜真卿的墨迹《自书告身帖》,是其晚期作品,对后世影响空前。前人对《自书告身帖》的赞誉之词各有不同,关于真伪性的讨论也从未停息,学术界众说纷纭,但依然阻挡不住后人学习《自书告身帖》的热情,这就反映了一个奇特的学书现象一“关于古人对真伪法帖学习的现象和态度”。本论文的重点,在阐述古今学书者对颜真卿《自书告身帖》真伪性研究的古籍,题跋等的引用,结合近现代研究颜真卿《自书告身帖》的文章的内容,分析《自书告身帖》的书学影响。《自书告身帖》为帖学作品,更区别与颜真卿其它碑刻书法作品,墨迹的痕迹更直观性的反映了颜真卿用笔及点画形态的运用。因《自书告身帖》为颜真卿晚期作品,以及墨迹书法作品的考证,更体现出颜体书法的特点,也是颜真卿一生书法艺术的总结之作。在历史与当下对《自书告身帖》是否为颜真卿本人之作的争辩中,依旧抵挡不住古今书家对《自书告身帖》的热爱与追捧,这就引发了本人对于类似现象的思索,通过阐述、分析探讨,并运用举例、引用、列举、类比及总结的方法,引申出古今有争议的法帖对学书者临摹及实际创作的影响。这不仅仅是反映的一种学书现象,更表明古今书家对传统经典的热爱,对不断深入挖掘与学习传统艺术的崇高精神的赞扬。
[Abstract]:In the prosperous Tang Dynasty, the famous calligrapher Yan Zhenqing, whose calligraphy art had a great influence on later generations, was praised as the "second peak" in the history of Chinese calligraphy. Yan Zhenqing's calligraphy has different characteristics in every period of his calligraphy career. His unique style of calligraphy is the model of calligraphy learning in later generations. Yan Zhenqing's ink writing is his late works, which has an unprecedented influence on later generations. There are different words of praise for the post, and the discussion about truth and falsehood has never stopped. There are different opinions in the academic circles, but they still can't stop the enthusiasm of the later generations to learn the post. This reflects a strange phenomenon of learning books-"on the ancient phenomenon and attitude to the study of the true and false." The emphasis of this paper is to expound the quoting of the ancient books and postscript of Yan Zhenqing's "suing body post", "truth and falsehood" by ancient and modern scholars, and combining with the content of the article on Yan Zhenqing's "self-suspecting body post" in modern times. This paper analyzes the influence of the calligraphy on the body of Yan Zhenqing, and points out that the ink marks reflect the use of Yan Zhenqing's brush and brushwork more intuitively than other calligraphy works of Yan Zhenqing's inscription. Because of the late works of Yan Zhenqing and the textual research of calligraphy works of ink, the feature of Yan style calligraphy is reflected, and it is also the summary of Yan Zhenqing's calligraphy art in his life. In the history and the present debate on whether the book "sues the body" is Yan Zhenqing's own work, he still cannot resist the love and popularity of the ancient and modern calligraphers for the "self-suspecting body post". This has led me to think about similar phenomena, by expounding them. By means of examples, citations, enumerations, analogies and summations, this paper deduces the influence of the controversial ancient and modern legal postings on the copying and actual creation of academic books by means of examples, citations, enumerations, analogies and summations. This is not only a reflection of the phenomenon of learning books, but also shows that the ancient and modern calligraphers love traditional classics, and praise the lofty spirit of digging and learning traditional art in depth.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J292.1
本文编号：2329313
[Abstract]:In the prosperous Tang Dynasty, the famous calligrapher Yan Zhenqing, whose calligraphy art had a great influence on later generations, was praised as the "second peak" in the history of Chinese calligraphy. Yan Zhenqing's calligraphy has different characteristics in every period of his calligraphy career. His unique style of calligraphy is the model of calligraphy learning in later generations. Yan Zhenqing's ink writing is his late works, which has an unprecedented influence on later generations. There are different words of praise for the post, and the discussion about truth and falsehood has never stopped. There are different opinions in the academic circles, but they still can't stop the enthusiasm of the later generations to learn the post. This reflects a strange phenomenon of learning books-"on the ancient phenomenon and attitude to the study of the true and false." The emphasis of this paper is to expound the quoting of the ancient books and postscript of Yan Zhenqing's "suing body post", "truth and falsehood" by ancient and modern scholars, and combining with the content of the article on Yan Zhenqing's "self-suspecting body post" in modern times. This paper analyzes the influence of the calligraphy on the body of Yan Zhenqing, and points out that the ink marks reflect the use of Yan Zhenqing's brush and brushwork more intuitively than other calligraphy works of Yan Zhenqing's inscription. Because of the late works of Yan Zhenqing and the textual research of calligraphy works of ink, the feature of Yan style calligraphy is reflected, and it is also the summary of Yan Zhenqing's calligraphy art in his life. In the history and the present debate on whether the book "sues the body" is Yan Zhenqing's own work, he still cannot resist the love and popularity of the ancient and modern calligraphers for the "self-suspecting body post". This has led me to think about similar phenomena, by expounding them. By means of examples, citations, enumerations, analogies and summations, this paper deduces the influence of the controversial ancient and modern legal postings on the copying and actual creation of academic books by means of examples, citations, enumerations, analogies and summations. This is not only a reflection of the phenomenon of learning books, but also shows that the ancient and modern calligraphers love traditional classics, and praise the lofty spirit of digging and learning traditional art in depth.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J292.1
【参考文献】
相关期刊论文 前1条
1 刘启林;颜真卿《自书告身墨迹》书法续考——与曹宝麟先生商榷[J];汕头大学学报;2004年06期
，本文编号：2329313
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