魏晋至唐宋时期书家书写《黄庭经》现象研究
发布时间：2018-11-19 11:27
【摘要】：《黄庭经》是一篇在魏晋至唐宋期间广泛传播的道家经典，也是在魏晋至唐宋之间书家传移摹写的法书经典，也因李白的“山阴道士如相见，应写黄庭换白鹅”、“扫素写道经，笔精妙入神”两句诗让“换鹅经”更加具有传奇色彩，，成为书法史上争论不休的一段公案。《黄庭经》文本作为书法与道教的双重性经典，文人和道士在书写传诵《黄庭经》时则表现出不同的接受心态，“楷法遒美”、“怡怿虚无”、“人仙中介”、“书需存思”、“当句有对”成为他们接受《黄庭经》的各种因缘。文人的书写和道士的传诵也产生了互动性，一方面反映了书家在书写《黄庭经》时多受道教之影响，另一方面道教经典《黄庭经》的传播也多倚书法为资用。
[Abstract]:Huang Tingjing is a Taoist classic widely spread between Wei and Jin and Tang and Song dynasties. It is also a French classic that was copied from the book family to the Tang and Song dynasties. Because of Li Bai's "Mountain Yin Taoists should write Huang Ting for White Goose if they meet each other." "so Su wrote the sutras, the pen was exquisite and absorbed the mind." the poem made "the Goose Sutra" more legendary and became a contentious public case in the history of calligraphy. The text of the "Huang Ting Jing" is regarded as a classic of the duality of calligraphy and Taoism. The literati and Taoists showed different attitudes of acceptance in their writing and reciting "Huang Ting-jing", such as "Kai Fa, Qiu Mei", "Yi Nothingness", "Immortals intermediary", "Books need to be thought of". When the sentence has the right to become their acceptance of the Huangting Sutra all kinds of reasons. The literati's writing and Taoist chanting also produced interactivity. On the one hand, it reflected that the calligraphers were influenced by Taoism in writing Huang Ting Jing, and on the other hand, the dissemination of Taoist classic Huang Ting Jing also relied on calligraphy as a resource.
【学位授予单位】：暨南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J292.1
本文编号：2342170
[Abstract]:Huang Tingjing is a Taoist classic widely spread between Wei and Jin and Tang and Song dynasties. It is also a French classic that was copied from the book family to the Tang and Song dynasties. Because of Li Bai's "Mountain Yin Taoists should write Huang Ting for White Goose if they meet each other." "so Su wrote the sutras, the pen was exquisite and absorbed the mind." the poem made "the Goose Sutra" more legendary and became a contentious public case in the history of calligraphy. The text of the "Huang Ting Jing" is regarded as a classic of the duality of calligraphy and Taoism. The literati and Taoists showed different attitudes of acceptance in their writing and reciting "Huang Ting-jing", such as "Kai Fa, Qiu Mei", "Yi Nothingness", "Immortals intermediary", "Books need to be thought of". When the sentence has the right to become their acceptance of the Huangting Sutra all kinds of reasons. The literati's writing and Taoist chanting also produced interactivity. On the one hand, it reflected that the calligraphers were influenced by Taoism in writing Huang Ting Jing, and on the other hand, the dissemination of Taoist classic Huang Ting Jing also relied on calligraphy as a resource.
【学位授予单位】：暨南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J292.1
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本文编号：2342170
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