北碑书法创作与审美论
发布时间：2018-11-27 17:09
【摘要】：正若从邓石如北碑楷书算起,北碑书法的创变已经经历了两百多年的风风雨雨。在北碑书法变革历程中,破旧立新,始终是贯穿其中的主线。一方面,北碑书家们必须抛弃不适合北碑书写的已有的楷书用笔技巧,另寻新法。另一方面,又需要对北碑的结体进行改造,以立新风。最重要的是,北碑书家们不得不接受鉴赏家们的评判,并最大可能地争取社会的普遍认同,尤其是在审美价值方面。
[Abstract]:If from Deng Shiru Beibei regular script, the creation of Beibei calligraphy has experienced more than 200 years of ups and downs. In the course of the reform of Bei calligraphy, breaking the old and creating new is always the main line running through it. On the one hand, Beibei calligraphers must abandon the existing standard script writing techniques that are not suitable for Bei writing and seek new methods. On the other hand, it is necessary to reform the structure of the north tablet in order to set up a new wind. Most importantly, Beibei calligraphers have to be judged by connoisseurs and strive for the greatest possible social acceptance, especially in terms of aesthetic value.
【分类号】：J292.1
[Abstract]:If from Deng Shiru Beibei regular script, the creation of Beibei calligraphy has experienced more than 200 years of ups and downs. In the course of the reform of Bei calligraphy, breaking the old and creating new is always the main line running through it. On the one hand, Beibei calligraphers must abandon the existing standard script writing techniques that are not suitable for Bei writing and seek new methods. On the other hand, it is necessary to reform the structure of the north tablet in order to set up a new wind. Most importantly, Beibei calligraphers have to be judged by connoisseurs and strive for the greatest possible social acceptance, especially in terms of aesthetic value.
【分类号】：J292.1
【参考文献】
相关期刊论文 前1条
1 ;于右任论书(节选)[J];青少年书法;2009年08期
【共引文献】
相关期刊论文 前10条
1 孙海洋;黄世民;;论王，
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