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邓尔雅书法论叙

发布时间:2018-12-08 14:27
【摘要】:正在近代书法史上,东莞邓尔雅(一八八四—一九五四)是卓然有成的广东名家,其篆书精妙绝伦,功力之深,格调之高,时人鲜能抗手。在以往有关邓尔雅书法的讨论中,文章固然不缺乏,近年更有专书面世,所论颇为翔实。~([1])虽然珠玉在前,唯部分课题似还有进一步探讨之余地,且邓尔雅的传世小学著作《文字源流》至今依然甚少参用,故本文试从书学与小学的角度,论析其书风与用字的特点,冀可为邓尔雅书法的研究,收补缺拾遗之效。~([2])
[Abstract]:In the history of modern calligraphy, Dongguan Deng Erya (1884-1954) is a famous Guangdong scholar of Zhuo Ran. In the past discussions on Deng Erya's calligraphy, articles are certainly not lacking, and in recent years, there have been more specialized books, which are quite informative. [1] although Pearl Jade is in the front, only some of the topics seem to have further exploration. And Deng Erya's primary school works "the Origin of characters" is still rarely used, so this paper tries to analyze the characteristics of his calligraphy style and characters from the perspective of calligraphy and elementary school, which can be regarded as the study of Deng Erya's calligraphy. The effect of picking up the missing. ~ ([2])
【作者单位】: 香港中文大学;
【分类号】:J292.1

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1 沈尹默;书法论[J];书画艺术;2001年05期

2 龙鸿;陪都书法论[J];重庆社会科学;2000年06期

3 樊广平;唐太宗书法论[J];集宁师专学报;1999年01期

4 姚山晨;赵孟,

本文编号:2368509


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