明代颜真卿书法接受研究
发布时间：2018-12-25 20:36
【摘要】：明代是以二王为代表的帖学大兴的时代。而颜真卿又在二王妍美书风之外开创了另外一种新的审美体系。那么在这种帖学背景下,明代对颜真卿书法的接受状态是怎样的?又对颜书有哪些认识?这是本文将要探讨的主要问题。本论文通过梳理大量涉及到颜真卿书法的明人著录题跋以系统性的书法理论以及明代的各种书法材料,并参考前人已有的研究成果,试对这一问题作一全面性的探讨。
[Abstract]:The Ming Dynasty was the era of the great prosperity of the post study represented by the two kings. Yan Zhenqing created a new aesthetic system in addition to the book style. So under this background, what was the acceptance of Yan Zhenqing's calligraphy in Ming Dynasty? What do you know about Yan Shu? This is the main problem to be discussed in this paper. Through combing out a large number of Ming people who are involved in Yan Zhenqing's calligraphy, this paper systematically discusses the calligraphy theory and various calligraphy materials of Ming Dynasty, and tries to make a comprehensive discussion on this problem with reference to the previous research results.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J292.1
本文编号：2391613
[Abstract]:The Ming Dynasty was the era of the great prosperity of the post study represented by the two kings. Yan Zhenqing created a new aesthetic system in addition to the book style. So under this background, what was the acceptance of Yan Zhenqing's calligraphy in Ming Dynasty? What do you know about Yan Shu? This is the main problem to be discussed in this paper. Through combing out a large number of Ming people who are involved in Yan Zhenqing's calligraphy, this paper systematically discusses the calligraphy theory and various calligraphy materials of Ming Dynasty, and tries to make a comprehensive discussion on this problem with reference to the previous research results.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J292.1
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