钱沣书法研究

发布时间：2019-01-02 20:11

【摘要】：本文为清代中期书法家钱沣书法的专题研究。钱沣是乾隆朝帖学书家代表人物之一,在清中期赵、董书风盛行之时,钱沣在集古的基础上,取法唐宋,以颜体铸基而终有大成,其雄浑粗犷的书法特质在清中期形成了一个特殊的现象并对后世学颜书家产生了重要影响。文章对钱沣馆藏书法作品及拍卖作品进行研究,分析其作品的创作时期,以分期断代的方式呈现。通过分析钱沣书法渊源、书学路径,旨在给钱沣书法一个合理的定位；从钱沣诗集、文集梳理中挖掘微量的书学观念,如骨力论、石刻论与学养论,作为其书法的辅助性研究；而后人对钱沣书法的品评大部分是从书品与人品相互作用的关系立论,人品与书品的结合也是钱沣一生的追求。本文以钱沣为例,试将此类现象上升为书法人格化的范畴,进而分析书法人格化品评标准的的发生及影响。
[Abstract]:This paper is a special study on calligraphy of Qian Feng, a calligrapher in the middle of Qing Dynasty. Qian Feng was one of the representative figures of the calligraphers of the Qianlong Dynasty. When Zhao and Dong Shufeng were prevailing in the middle of the Qing Dynasty, Qian Feng, on the basis of the collection of ancient times, took the method of Tang and Song dynasties, and eventually achieved great success by casting the foundation of the Yan and the body. Its strong and rugged character of calligraphy formed a special phenomenon in the middle of Qing Dynasty and had an important influence on Yan calligrapher of later generations. This paper studies Qianfeng's calligraphy works and auction works, and analyzes the creation period of his works. By analyzing the origin of Qianfeng's calligraphy and the path of calligraphy, this paper aims to give Qian Feng's calligraphy a reasonable orientation, and to dig out a trace of calligraphy ideas from the collection of Qian Feng's poems and works, such as the theory of bone strength, the theory of stone carvings and the theory of learning and nourishing, as a supplementary study of his calligraphy. Later, most of the comments on Qianfeng's calligraphy were based on the relationship between book and character, and the combination of character and book was Qian Feng's pursuit in his whole life. Taking Qian Feng as an example, this paper tries to raise this kind of phenomenon to the category of calligraphy personification, and then analyzes the occurrence and influence of the standard of calligraphy personalization evaluation.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J292.1

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