书法的基本审美取向及其历史流变
发布时间：2019-02-24 12:52
【摘要】：正纵观中国书法理论史,书法审美取向在不同历史阶段有着非常复杂的内涵变化,但古典书法理论以经验、意象、感悟为基础的论述方法,未能将书法审美的历史演变线索清晰地揭示出来。现当代的一些书法理论和书法美学著作由于其体系各异、关注重点不同,在书法审美取向研究方面虽有一些重要成果,但
[Abstract]:Throughout the history of Chinese calligraphy theory, the aesthetic orientation of calligraphy has a very complicated connotation change in different historical stages, but classical calligraphy theory is based on experience, image and perception. Failed to clearly reveal the historical evolution of calligraphy aesthetic clues. Some calligraphy theories and aesthetic works of modern and contemporary times, because of their different systems and different emphases, have some important achievements in the study of the aesthetic orientation of calligraphy.
【作者单位】： 上海大学上海美术学院;
【分类号】：J292.1
本文编号：2429568
[Abstract]:Throughout the history of Chinese calligraphy theory, the aesthetic orientation of calligraphy has a very complicated connotation change in different historical stages, but classical calligraphy theory is based on experience, image and perception. Failed to clearly reveal the historical evolution of calligraphy aesthetic clues. Some calligraphy theories and aesthetic works of modern and contemporary times, because of their different systems and different emphases, have some important achievements in the study of the aesthetic orientation of calligraphy.
【作者单位】： 上海大学上海美术学院;
【分类号】：J292.1
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