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古典书学“气力论”探析

发布时间:2019-05-07 19:58
【摘要】:正一、中国书法气力论的哲学依据及特征中国古代哲学认为,道是万物的本源,道通过所化育的气创造万物,万物之生机和生命在于气。道气阴阳观是包括书法艺术在内又集中体现在书法艺术中的一切中国艺术理论最基础的哲学依据。《道德经第四十二》讲:"道生一,一生二,二生三,三生万物。万物负阴而抱阳,冲气以为和。"叶朗《中国美学史大纲》对这段文字作出了这样的解释:"道产生混沌的气(一)混沌的气分化为阴、阳二气。(二)阴、阳二气相互交通而形成一种和合的状态。(三)万物就从阴阳二气交通和合
[Abstract]:One, the philosophical basis and characteristics of the spirit theory of Chinese calligraphy; according to ancient Chinese philosophy, Tao is the origin of all things, and Tao creates all things through the gas that is nurtured and nurtured, and the vitality and life of all things lie in the Qi. The view of Tao Qi Yin and Yang is the most basic philosophical basis of all Chinese art theories, including calligraphy art. The Book of morality No. 42 says: "Tao gives birth to one, one to two, two to three, and three to all other things." -. All things are negative and hold the sun, gasping for harmony. " Ye Lang's outline of the History of Chinese Aesthetics explains this passage as follows: "the gas that leads to chaos in Tao (1) the gas of chaos divides into Yin and Yang." (2) Yin and Yang communicate with each other to form a state of harmony. (3) all things go from Yin and Yang to traffic and harmony
【作者单位】: 广西桂林航天工业学院;
【基金】:2011年度国家社科基金艺术学西部项目“气”的思想与中国艺术观念之关系阶段性研究成果之一,项目号:11EA127
【分类号】:J292.1


本文编号:2471342

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