邓以蛰的书法艺术观
发布时间：2019-05-10 20:58
【摘要】：书法史上,民国时期是传统链条上的一环,一方面民国的学人有着传统文人的情怀与学养;另一方面,他们大都走出国门接受西学教育,这意味着民国时期是书法的一个重要转型期。一是文言文向白话文的转型,即语言方式的转型;二是书法的实用性向艺术性的转型,即图像的转型。笔者发现,他们对书法艺术达成一种共识——用“形式”一词赋予书法艺术学理范畴内的不同思考,其中尤以邓以蛰对书法的阐释最为详尽,集中体现在了他的《书法之欣赏》一文。本文以“邓以蛰的书法艺术观”为题,梳理了邓以蛰书法艺术观的来源,对其作了具体阐释及相关见解。论文运用了梁启超先生在《先秦政治思想史》提出的“问题研究法”研究了民国时期书法理论的基本概况,内容包括林语堂的“韵律说”、宗白华的“意境说”和梁启超的“四美说”,并与邓以蛰书法艺术观参考比较。
[Abstract]:In the history of calligraphy, the period of the Republic of China was a link in the traditional chain. On the one hand, the scholars of the Republic of China had the feelings and upbringing of the traditional literati; On the other hand, most of them went out of the country to receive western education, which means that the period of the Republic of China was an important transformation period of calligraphy. One is the transformation from classical Chinese to vernacular, that is, the transformation of language style; the other is the transformation from the practicability of calligraphy to artistry, that is, the transformation of images. The author finds that they have reached a consensus on the art of calligraphy-using the word "form" to give different thoughts to the theory of calligraphy, especially Deng Yi's interpretation of calligraphy is the most detailed. It is embodied in his appreciation of calligraphy. Based on the title of Deng Yizheng's calligraphy Art View, this paper combs the origin of Deng Yizheng's calligraphy art view, and makes a concrete explanation and related opinions. The thesis studies the basic situation of calligraphy theory in the Republic of China by using the "problem study method" put forward by Mr. Liang Qichao in the History of political thought in the pre-Qin Dynasty, including Lin Yutang's "prosody Theory". Zong Baihua's artistic conception theory and Liang Qichao's four beauty theory are compared with Deng Yizheng's calligraphy art view.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J292.1
本文编号：2473991
[Abstract]:In the history of calligraphy, the period of the Republic of China was a link in the traditional chain. On the one hand, the scholars of the Republic of China had the feelings and upbringing of the traditional literati; On the other hand, most of them went out of the country to receive western education, which means that the period of the Republic of China was an important transformation period of calligraphy. One is the transformation from classical Chinese to vernacular, that is, the transformation of language style; the other is the transformation from the practicability of calligraphy to artistry, that is, the transformation of images. The author finds that they have reached a consensus on the art of calligraphy-using the word "form" to give different thoughts to the theory of calligraphy, especially Deng Yi's interpretation of calligraphy is the most detailed. It is embodied in his appreciation of calligraphy. Based on the title of Deng Yizheng's calligraphy Art View, this paper combs the origin of Deng Yizheng's calligraphy art view, and makes a concrete explanation and related opinions. The thesis studies the basic situation of calligraphy theory in the Republic of China by using the "problem study method" put forward by Mr. Liang Qichao in the History of political thought in the pre-Qin Dynasty, including Lin Yutang's "prosody Theory". Zong Baihua's artistic conception theory and Liang Qichao's four beauty theory are compared with Deng Yizheng's calligraphy art view.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J292.1
【参考文献】
相关期刊论文 前1条
1 成振国;张玉忠;;新疆天山以北岩画述略[J];文物;1984年02期
，本文编号：2473991
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