“斜划紧结”的审美分析——书法“体势”审美研究的方法论
发布时间：2019-06-02 10:30
【摘要】：正"斜划紧结"与"横划宽结"是沙孟海提出的一对重要概念,对我们理解隶书、楷书"结体"的特性、类型及书法史的嬗变具有重要意义。近些年的相关研究,多关注结字类型的归纳与细分,如提出"jk划紧结""斜划宽结",鲜见探究这种结体类型划分中的审美特性和内部规律。本文拟运用历史与逻辑统一、抽象与具体统一的方法,结合书法作品中的实例,着重探讨"斜划紧结"的审美意义,可以看作是"今体"的重要标志,书法艺
[Abstract]:"oblique tight knot" and "horizontal wide knot" are a pair of important concepts put forward by Sha Menghai, which are of great significance for us to understand the characteristics, types and evolution of the history of calligraphy in official script and regular script. In recent years, more attention has been paid to the induction and subdivision of knot types, such as "jk tight knot" and "oblique wide knot". It is rare to explore the aesthetic characteristics and internal laws in the classification of this knot type. This paper intends to use the method of unity of history and logic, abstraction and concrete unity, combined with the examples in calligraphy works, to discuss the aesthetic significance of "oblique knot", which can be regarded as an important symbol of "present style" and calligraphy art.
【作者单位】： 中国书协学术委员会;
【分类号】：J292.1
本文编号：2491028
[Abstract]:"oblique tight knot" and "horizontal wide knot" are a pair of important concepts put forward by Sha Menghai, which are of great significance for us to understand the characteristics, types and evolution of the history of calligraphy in official script and regular script. In recent years, more attention has been paid to the induction and subdivision of knot types, such as "jk tight knot" and "oblique wide knot". It is rare to explore the aesthetic characteristics and internal laws in the classification of this knot type. This paper intends to use the method of unity of history and logic, abstraction and concrete unity, combined with the examples in calligraphy works, to discuss the aesthetic significance of "oblique knot", which can be regarded as an important symbol of "present style" and calligraphy art.
【作者单位】： 中国书协学术委员会;
【分类号】：J292.1
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