现当代舞蹈人物的身份与话语

发布时间：2018-02-12 00:31

本文关键词： 生活形态路易十三修辞性安代周朴园浮世绘周萍繁漪现代舞剧侍萍 　出处：《舞蹈》2013年09期 　论文类型：期刊论文

【摘要】：正无论生活形态还是作品形态,传统舞蹈主要驻足在功能性的表达和修辞性的表演之中。直到今天,那些传统的生活形态的舞蹈也未称其手舞足蹈为"艺术"——甚至"舞蹈",它们认为那只是不同身份的人在做不同的事,说不同的话。像蒙古族的"安代",是巫医的治疗术;马里多贡族的"斯利戈",是头人的祭祀术;俄罗斯的"竞赛舞",是寻求伴侣的身体炫耀;还有"金钱拜物"教下日本艺伎出卖色相的《溪中之舞》等。作品形态的舞蹈世界也是不同的人在说不同的话:西方用"开绷直",东方用"圆拧曲"。像路易十三的"政治芭莆"富丽堂皇,印度神伎舞蹈发展出了婆罗
[Abstract]:It works regardless of the life form or form, traditional dance mainly stopped at the functional expression and rhetorical performance. Until today, the traditional life style of dance is not called the dance for "art" or even "dance", they think it is the identity of different people in different things, said different words. Like the Mongolian "Andai", is the medicine therapy; Maliduogong group of "Sligo", is the headman of the sacrificial operation; Russia's "race dance", is to seek a partner's body show; and "money fetishism" to teach Japanese Geisha betrayed hue in the stream < >. Other works. Morphology of the dance world is different in different said: "on the West straight", "Oriental twisted round". Like Louis thirteen "political Ba Pu" magnificent, India God developed the Kabuki dance

【分类号】：J703

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