戏曲形神观视野下的舞蹈角色表演

发布时间：2018-03-08 03:18

本文选题：戏曲表演　切入点：舞蹈表演　出处：《北京舞蹈学院学报》2017年04期 　论文类型：期刊论文

【摘要】：中国戏曲在漫长的民族文化积淀中,经过千锤百炼的艺术实践,已然形成了一套完备且系统的表演体系,而这一庞大表演体系的核心要旨则是戏曲舞台形象塑造所遵从的形神观。本文通过对戏曲表演形神观的剖析,发掘出立形与传神的手段与途径,厘清形与神在人物塑造过程中的相互关系,明确传神的阶段性变化,并与舞蹈角色表演进行横向比较,试图为舞蹈角色表演方法提供可资借鉴的实践经验与理论依据,以完善舞蹈表演艺术理论体系的构建。
[Abstract]:Chinese opera has formed a set of complete and systematic performance system in the long accumulation of national culture and through the artsy practice. The core of this huge performance system is the concept of form and spirit followed by the shaping of the stage image of the opera. Through the analysis of the concept of form and spirit in the performance of the opera, this paper finds out the means and ways of setting up and passing on the spirit. This paper clarifies the relationship between form and spirit in the process of character shaping, clarifies the stage changes, and makes a horizontal comparison with dance role performance, in order to provide practical experience and theoretical basis for the dance role performance method. In order to improve the theoretical system of dance performance.
【作者单位】：北京师范大学艺术与传媒学院;
【基金】：北京师范大学自主科研基金项目(项目编号:skzzy2013039)的研究成果中央高校基本科研业务费专项资金资助
【分类号】：J712

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