族群文化与舞蹈审美的探索与研究

发布时间：2018-04-07 15:08

本文选题：族群　切入点：族群文化　出处：《山东师范大学》2012年硕士论文

【摘要】：舞蹈审美，是舞蹈学与美学的交叉融合，通过研究发现，它的产生和发展与民族学中的族群文化渊源颇深。自古至今，舞蹈与族群生活休戚相关，看着一个族群的舞蹈，就能窥探到该族群悠久深厚的历史文化。舞蹈有时扮作族群成员自娱时的朋友，有时化作成员间相互娱乐时的对象，有时充当族群群体仁义礼教的使者，有时仅仅是族群个体发泄心中情感的手段。不同的族群创造了不同的舞蹈审美，千姿百态、各具特色。在族群文化中看舞蹈审美，，在舞蹈审美中观族群文化，对二者深入研究，有利于舞蹈审美在族群文化的基础上进一步发展，又能为舞蹈创作、表演、教学的繁荣提供微薄的理论见解。本文以族群文化与舞蹈审美的关系为研究对象，阐述了族群的概念、族群与族群文化的关联，族群文化与舞蹈审美的渊源。采用辩证的角度，从族群文化对舞蹈审美的作用力和舞蹈审美包孕着族群文化两个方面，系统论证了族群文化与舞蹈审美的辩证关系。总结出族群文化与舞蹈审美好比马哲中的物质与意识，它们辩证统一，不可分离。族群文化对舞蹈审美的形成和发展发挥着不可忽视的作用力，舞蹈又以美的动态记录着人类族群文化。在族群文化对舞蹈审美的作用力方面，本文主要通过生活文化、制度文化和心理倾向三个方面进行阐述，生活文化涉及地域文化、饮食文化、服饰文化、劳动文化和风俗文化对舞蹈审美的作用力；制度文化涉及政治制度、文化政策和伦理道德对舞蹈审美的作用力；心理倾向涉及性格特征、思维模式、核心价值、图腾崇拜、宗教信仰对舞蹈审美的作用力。在舞蹈审美解读族群文化方面，本文主要从舞蹈本体角度出发，探析不同族群的舞蹈其本体中包孕的族群文化。具体来说，从舞蹈的属性、内容和形式三个方面解读其中的族群文化，舞蹈属性涉及优美、壮美、喜剧美和悲剧美四个方面，舞蹈形式涉及物质材料、辅助手段、基本规律三个方面。本文共分为三个章节来进行论述：第一章：本章是论文的基础部分，阐述了族群的内涵、族群与族群文化的关系、“族群”与“民族”的差异，论证了族群文化与舞蹈审美的关联，以及本文对现实的指导意义，为全文研究作铺垫。第二章：从族群文化对舞蹈审美的作用力方面，正面论述族群文化与舞蹈审美的关系。从生活文化、制度文化、心理倾向三个角度，阐述了不同的族群文化在形形色色舞蹈审美形成过程中，产生的重要作用。第三章：从舞蹈审美反映族群文化方面，反面论述族群文化与舞蹈审美的关系。本章从舞蹈的属性、内容美、形式美等舞蹈本体特征出发，窥探、研究不同族群美的舞蹈是怎样反映差异的族群文化。
[Abstract]:Dance aesthetics is the cross fusion of dance science and aesthetics. It is found that the origin and development of dance aesthetics is deep with the ethnic culture origin in ethnology.Since ancient times, dance is closely related to the life of the ethnic group. Looking at the dance of an ethnic group, we can see the long history and culture of the ethnic group.Sometimes the dance acts as a friend of the members of the ethnic group, sometimes becomes the object of mutual entertainment among the members, sometimes acts as the messenger of the benevolence and righteousness of the ethnic group, and sometimes it is only a means for the individual of the ethnic group to vent his feelings.Different ethnic groups have created different dance aesthetics, diverse and distinctive.To see dance aesthetics in ethnic culture and to view ethnic culture in dance aesthetics, to study both of them in depth is conducive to the further development of dance aesthetics on the basis of ethnic culture, and to the creation and performance of dance.The prosperity of teaching offers modest theoretical insights.Taking the relationship between ethnic culture and dance aesthetics as the research object, this paper expounds the concept of ethnic group, the relationship between ethnic group and ethnic culture, and the origin of ethnic culture and dance aesthetics.In this paper, the dialectical relationship between ethnic culture and dance aesthetics is systematically demonstrated from two aspects: the influence of ethnic group culture on dance aesthetics and dance aesthetics including ethnic culture.It is concluded that ethnic culture and dance aesthetics are like material and consciousness in Ma Zhe. They are dialectical and inseparable.Ethnic culture plays an important role in the formation and development of dance aesthetics, and dance records human ethnic culture dynamically with beauty.In terms of the influence of ethnic culture on dance aesthetics, this paper mainly expounds through three aspects: life culture, system culture and psychological tendency. Life culture involves regional culture, diet culture, dress culture, etc.The influence of labor culture and custom culture on dance aesthetics; the influence of system culture on dance aesthetics; the influence of political system, cultural policy and ethics on dance aesthetics; the psychological tendency related to personality, mode of thinking, core value, totem worship,The influence of religious belief on Dance Aesthetics.In dance aesthetic interpretation of ethnic culture, this article mainly from the dance Noumenon point of view, to explore the different ethnic groups dance its Noumenon contains ethnic culture.Specifically, it explains the ethnic culture from three aspects: the attribute, the content and the form of dance. The dance attribute involves four aspects: beauty, splendor, comedy and tragedy. The form of dance involves material and auxiliary means.There are three basic laws.This paper is divided into three chapters to discuss:Chapter one: this chapter is the basic part of the thesis. It expounds the connotation of ethnic group, the relationship between ethnic group and ethnic group culture, the difference between "ethnic group" and "nation", and demonstrates the relationship between ethnic culture and dance aesthetics, and the guiding significance of this paper to reality.For the full text of the study.The second chapter discusses the relationship between ethnic culture and dance aesthetics from the point of view of the influence of ethnic culture on dance aesthetics.From the three angles of life culture, system culture and psychological tendency, this paper expounds the important role of different ethnic groups culture in the process of aesthetic formation of all kinds of dance.The third chapter discusses the relationship between ethnic culture and dance aesthetics from the aspect of dance aesthetic reflecting ethnic culture.This chapter explores how the dance of different ethnic groups reflects the different ethnic cultures from the aspects of dance attributes, content beauty, formal beauty and other dance Noumenon features.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J701

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