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禁欲的身体与传统秧歌的形态

发布时间:2018-04-26 23:24

  本文选题:身体美 + 中国京剧 ; 参考:《舞蹈》2017年08期


【摘要】:正人的身体引领我们展示自我,表达感情,在人们踏地而舞、振臂而歌的时候,不同的身体形态述说着不同民族的身体观、审美观。20世纪50年代,芭蕾刚传入中国时,有人曾大喊"大腿满台跑,工农兵受不了"。芭蕾展示身体美、线条美的审美追求与中国京剧长袍马褂下包裹的身体,体现了两种完全不同的身体观。舞蹈的载体是身体,人的身体从来就不是一种自然状态,它被赋予了各种社会意义。欧洲女子的束腰、缅甸女子以长颈为美,很多民族的纹身,非洲埃塞俄比亚穆尔西人在嘴上装置土陶盘等,这些独特的身体现象都是民族身体观、审美
[Abstract]:The body of a person leads us to show ourselves and express our feelings. When people dance on the ground and sing their arms, different forms of body describe the body views of different nationalities. In the 1950s, when ballet was first introduced to China, Some people have shouted, "the full thigh run, workers, peasants and soldiers can not stand." Ballet shows the beauty of body and the aesthetic pursuit of line beauty and the body wrapped under the gown of Chinese Peking Opera reflects two completely different views of body. The carrier of dance is the body, the human body has never been a state of nature, it has been given various social significance. The girdle of European women, the beauty of Burmese women with long necks, the tattoos of many ethnic groups, and the installation of earthy pottery in the mouth of African Ethiopians, all of these unique physical phenomena are national body views, aesthetic.
【分类号】:J722.211

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相关期刊论文 前2条

1 王琳童;陈连朋;;武术与舞蹈:中国艺术的身体表达形态[J];艺术科技;2013年04期

2 徐颃;;舞蹈身体表达的“主体性”自觉[J];北京舞蹈学院学报;2014年03期



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