当前位置:主页 > 文艺论文 > 舞蹈论文 >

萨满舞蹈的特征探究

发布时间:2018-04-27 01:07

  本文选题:萨满舞蹈 + 文化特征 ; 参考:《吉林艺术学院》2017年硕士论文


【摘要】:舞蹈是伴随着人类历史发展产生的重要的艺术形式,最早期的舞蹈是与人们的日常生活形式分不开的,而影响着舞蹈内生性发展的本源是宗教。宗教是人类生存之源,人们在信奉宗教的同时也通过舞蹈的形式表达对宗教无比崇尚的情感。与此同时,宗教的观念也推动着舞蹈的发展和创新,可以说,宗教思想通过舞蹈动作表达,舞蹈情感与宗教文化深深的融合,让这种艺术与文化的碰撞带来了美好的视觉体验。萨满舞蹈就是在宗教文化与民族文化的不断融合中产生的,目前存在的萨满舞蹈形式有蒙古萨满舞蹈、朝鲜族萨满舞蹈、满族萨满舞蹈等等,不同地区、不同民族的萨满舞有着不同的文化内容和舞蹈形式。由于萨满是我国皇族敬奉的仪式,萨满文化深深的影响着我国的历史发展,因此研究萨满舞艺术是对我国博大精深的历史文化的敬重。萨满舞蹈的舞蹈形式以跳神为主,主要表达的思想是对神灵的祭拜,通过手舞足蹈的跳动动作来体现对神灵的无比崇尚。本文研究萨满舞的舞蹈特征,从萨满舞蹈文化的渊源及发展出发,深入的了解萨满信仰、萨满祭祀仪式对萨满舞产生的影响,对萨满舞后期从民国时期到改革开放时期的发展进行脉络的梳理。重点研究了萨满舞蹈的形态特征和文化特征,萨满舞蹈的形态特征有:示意性、野性、民众性、模拟性和痴迷性;萨满舞蹈的文化特征有:宗教信仰的原始性、历史传承的悠久性、多重影响的艺术性。
[Abstract]:Dance is an important artistic form with the development of human history. The earliest dance is inseparable from the daily life of people, and the origin of the endogenous development of dance is religion. Religion is the source of human existence. At the same time, the concept of religion also promotes the development and innovation of dance. It can be said that religious thoughts are expressed through dance movements, dance emotion and religious culture are deeply integrated, which makes the collision of art and culture bring beautiful visual experience. Shaman dance is produced by the continuous integration of religious culture and national culture. At present, there are Mongolian Shaman dance, Korean Shaman dance, Manchu Shaman dance and so on, in different regions, the Shaman dance forms exist in different regions, such as Mongolian Shaman dance, Korean Shaman dance, Manchu Shaman dance and so on. Shaman dance of different nationalities has different cultural content and dance form. Because shaman is the ceremony that the royal family worships in our country, shaman culture deeply affects the history development of our country, so studying the shaman dance art is the respect to our country's broad and profound historical culture. The dance form of shaman dance is to dance spirit, the main expression of the thought is to worship the gods, through the dance of dance to reflect the unparalleled worship of the gods. This paper studies the dance characteristics of Shaman dance, starting from the origin and development of Shaman dance culture, deeply understand the Shaman belief and the influence of shaman ritual on shaman dance. The later period of Shaman dance from the Republic of China to the reform and opening-up period of the development of the context. This paper focuses on the morphological and cultural characteristics of Shaman dance. The morphological characteristics of Shaman dance are: schematic, wild, populace, mimic and obsessive, and the cultural characteristics of shaman dance are: the originality of religious belief. The long history of inheritance, the art of multiple influences.
【学位授予单位】:吉林艺术学院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J722.22

【参考文献】

相关期刊论文 前10条

1 吕景利;浅谈满族萨满跳神所呈现的艺术特征[J];长春大学学报;2005年01期

2 张一凡;满族与其它民族民间音乐的交融[J];中国音乐学;2005年01期

3 郭淑云;萨满舞蹈的特征与功能[J];黑龙江民族丛刊;2004年06期

4 姜小莉;试论满族家祭与萨满教的关系[J];吉林师范大学学报(人文社会科学版);2004年02期

5 刘桂腾;中国东北阿尔泰语系诸族的萨满乐器及其文化特征[J];中国音乐学;2004年02期

6 刘桂腾;松花江下游赫哲族的萨满乐器[J];黄钟(中国.武汉音乐学院学报);2004年01期

7 刘桂腾;科尔沁蒙古族萨满祭祀仪式音乐考[J];中央音乐学院学报;2004年01期

8 郭淑云;萨满教的造型艺术特征[J];民族艺术;2003年01期

9 郭孟秀;吉林满族萨满祭祀考察调研报告[J];满语研究;2001年02期

10 李志杰;萨满神歌与满族民歌[J];满族研究;2001年02期



本文编号:1808484

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/wdlw/1808484.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户890c9***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com