从祭神到娱人——历史变迁中的招子鼓

发布时间：2018-05-07 10:26

  本文选题：招子鼓 + 祭神　； 参考：《原生态民族文化学刊》2017年01期

【摘要】：招子鼓是产生并流传于河北省邢台市隆尧与宁晋县的千户营、耿庄桥一带村庄的民间鼓舞形式,自清代至今,历经了由祭神向娱人的功能变化,表演形式也随其功能的变化而逐渐艺术化。其内在原因则是这种民间鼓舞所依托的自然、社会环境的变化。从社会生态变化、文化功能变化、艺术形式变化阐述招子鼓的渐变过程,揭示三者之间的内在关系。
[Abstract]:Zhaozi Drum is a form of folk encouragement produced and spread in Longyao and Ningjin counties in Xingtai City, Hebei Province. From the Qing Dynasty to the present, it has gone through the function of sacrificing gods to amusing people. The form of performance is gradually artistic with the change of its function. Its internal reason is this kind of folk encouragement relies on the natural, social environment change. This paper expounds the gradual change process of Zhaozi Drum from the changes of social ecology, cultural function and artistic form, and reveals the internal relations among them.
【作者单位】： 河北大学艺术学院;
【分类号】：J722.21
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本文编号：1856558