吴地乐舞探微
发布时间:2018-05-23 12:06
本文选题:吴地 + 吴乐 ; 参考:《浙江艺术职业学院学报》2010年03期
【摘要】:吴地乐舞,是吴地悠久历史文化的折射和延续。它的生成、繁衍和发展,无不积淀于吴地深沉厚重的文化结构之中,得天独厚的地域自然条件,聪慧勤劳的吴地先民的发明创造,使吴舞——这朵中华舞苑中的璞玉和瑰宝展现出它绚丽夺目的风采。它从远古图腾中走来,从农村旷野中生发,在华丽的宫殿中展示。"鱼龙曼延"之舞是先民极尽想象的"百兽率舞"的具象;"防风古乐"是吴地农垦文化的表征;馆娃宫下清脆回廊的"屐舞",更是吴舞风姿飘逸的动人画卷;吴地乐舞渗透着"中和平正,节序有度"的乐舞审美思想,它为吴地舞风雅致、委婉、和谐奠定了吴舞发展的美学基础。
[Abstract]:The music and dance of Wu is the refraction and continuation of its long history and culture. Its generation, reproduction and development are all accumulated in the deep and heavy cultural structure of Wu, the unique natural conditions of the region, and the invention and creation of the intelligent and industrious people of the land of Wu. Make Wu Dance-this uncut jade and treasure in the Chinese dance garden to show its gorgeous demeanour. It comes from the ancient totem, grows hair from the country wilderness, and is displayed in the magnificent palace. " The dance of "Yulong Manyan" is the embodiment of the "hundred Beast rate Dance", the "Fangfeng Ancient Music" is the symbol of the culture of farming and reclamation in Wu area, the "clog dance" of the clear and crispy corridor under the palace is even more a moving picture of Wu's elegant style. The music and dance of Wudi is permeated with the aesthetic thought of "the peace in the middle and the order of the festival", which lays the aesthetic foundation of the development of Wu dance for its elegant style, euphemism and harmony.
【作者单位】: 苏州职业大学艺术与设计系;
【分类号】:J709.2
【相似文献】
相关硕士学位论文 前1条
1 FANNY RUSLI(李盈娇);印尼西爪哇民间乐器昂格隆及其传承与保护研究[D];广西师范大学;2011年
,本文编号:1924657
本文链接:https://www.wllwen.com/wenyilunwen/wdlw/1924657.html