群舞作品中的“主体框架”构成观念及运用分析——以“全国舞蹈比赛”、中国舞蹈“荷花奖”、“桃李杯”为例

发布时间：2018-05-29 18:10

本文选题：群舞创作 + 构成观念　；参考：《民族艺术研究》2016年04期

【摘要】：从"全国舞蹈比赛"、中国舞蹈"荷花奖"和"桃李杯"比赛的805部群舞作品中分析,其舞蹈结构无论怎样设计,实际上都无法摆脱"诗画式"和"情节式"两种结构样式的束缚。有鉴于此,通过对综合多变形态、密集队形和线性链状密集构成的三种"主体框架"展开综合对比分析提出结论,即:构建出色的"主体框架"与作品创新不但有关系,而且关系密切。综合多变形态的致命短板是意识含糊,模式多变不稳定,不具神秘感、突发感和未知感,阻碍创作智慧彰显;密集队形其密集的目的性、功能性和指向性不仅旗帜鲜明,而且具有深意,隐含智慧;线性链状密集构成在吸收前者优点的基础上构成观念更加完善,获国家级大奖比例高达58.33%。
[Abstract]:Analyzing from 805 pieces of group dance works of the "National Dance Competition", the Chinese Dance "Lotus Prize" and the "Peach Li Cup", the dance structure is no matter how designed, In fact, they can not get rid of the "poetic style" and "plot style" of the two structural styles of the shackles. In view of this, through the comprehensive comparative analysis of three kinds of "main frame", which are composed of comprehensive and changeable form, dense formation and linear chain, the conclusion is put forward, that is, the construction of excellent "main frame" is not only related to the creation of works, but also to the innovation of works. And close to each other. The fatal short board of comprehensive and changeable form is vague in consciousness, changeable and unstable in pattern, not mysterious, sudden and unknown, which hinders the display of creative wisdom; the dense formation is not only clear-cut in its dense purpose, but also in its functionality and directionality. The linear chain dense structure is more perfect on the basis of absorbing the advantages of the former, and the proportion of winning national awards is as high as 58.33.
【作者单位】：温州大学音乐学院;浙江艺术职业学院学报;
【基金】：2016年度浙江省哲学社会科学规划项目《“全国舞蹈比赛”“荷花奖”“桃李杯”入围群舞作品创作观念研究》成果之一。(项目编号:16NDJC135YB)~~
【分类号】：J722.1

【相似文献】