当代中国古典舞的剧目分析与探究

发布时间：2018-06-13 06:50

本文选题：中国古典舞 + 教学体系　；参考：《山东师范大学》2009年硕士论文

【摘要】： 笔者这里所论及的“中国古典舞”是一个特指的舞种概念,它产生于20世纪50年代,故在之前冠以“当代”二字。它是在从中国传统舞蹈中提取典型性的舞蹈美学原则,经过现代人的发展创造,结合当代技术特点和审美特征,广采博收了诸多文化基因,借助中华文化母体孕育而生的舞蹈新品种。表达了当代中国舞蹈工作者们的创造精神和对传统的一种重新诠释与审美追求。中国古典舞发展到现在,可谓繁花似锦,佳作不断。涌现出一批批优秀的古典舞编导,创造出了很多优秀的作品。这些作品的成功不是偶然的。早在五十年代“中国古典舞”这一舞种的创始者们就开始在戏曲舞蹈中探寻、摸索着从内涵到外延都真正符合舞蹈艺术本体概念的中国古典舞真迹。“身韵”为中国古典舞剧目提供了丰富的动作语汇,它的出现成就了中国古典舞剧目的高度发展。随着“身韵”的不断完善,出现了四种不同类型的古典舞剧目,逐渐拓宽了古典舞的发展空间,使得古典舞在舞蹈史上画下了精彩的一笔。本硕士论文以中国古典舞的剧目为关注对象,以时间为序,进行纵向梳理和横向比较研究,对其进行深入地探索。通过对中国古典舞剧目历史积淀的梳理到对其当代建树的呈现及分析,力图揭示中国古典舞剧目的发展脉络和现存状况的实质意义。全文共有三章。第一章,阐述五、六十年代中国古典民族舞剧的发展概况。从最早的中国古典民族舞剧谈起,详述戏曲、芭蕾、民间舞等对中国古典民族舞剧的影响,通过比较分析其成就和弊端。第二章,以七十年代末至八十年代初为阶段点,详述“身韵”的产生对古典舞剧目产生的作用和这一阶段叙事型古典舞剧目的发展概况。第三章,以本体型、现代型、仿古型古典舞剧目为着眼点,对八十年代末至今中国古典舞剧目的发展概况做详细的分析与探究并对这一阶段古典舞剧目的发展进行思考,肯定其成就,讨论其不足,探索其未来的发展走势。
[Abstract]:"Chinese classical dance" is a special concept of dance, which originated in the 1950s, so it was preceded by the word "contemporary". It is to extract typical dance aesthetic principles from Chinese traditional dance, through the development and creation of modern people, combined with the characteristics of contemporary technology and aesthetic features, it has collected a lot of cultural genes. With the help of the Chinese culture mother-body birth of new varieties of dance. It expresses the creative spirit of contemporary Chinese dancers and a reinterpretation and aesthetic pursuit of tradition. The development of Chinese classical dance to the present, it can be described as colorful, continuous masterpiece. Batch after batch of excellent choreographers of classical dance emerged, creating a lot of excellent works. The success of these works is no accident. As early as 1950s, the founders of "Chinese Classical Dance" began to explore in the traditional Chinese dance, groping for the authentic Chinese classical dance, which conforms to the concept of dance art Noumenon from connotation to extension. Body rhyme provides rich action vocabulary for Chinese classical dance repertoire, and its appearance has achieved the high development of Chinese classical dance repertoire. With the continuous improvement of body rhyme, four different types of classical dance plays appeared, gradually widening the development space of classical dance, making classical dance draw a wonderful stroke in the history of dance. This thesis focuses on the Chinese classical dance repertoire, taking time as the order, carries on the longitudinal combing and the horizontal comparative research, carries on the thorough exploration to it. Through combing the historical accumulation of Chinese classical dance plays to the presentation and analysis of its contemporary achievements, this paper tries to reveal the development context of Chinese classical dance plays and the essential significance of the existing situation. There are three chapters in this paper. The first chapter expounds the development of classical Chinese folk dance in the fifties and sixties. From the earliest Chinese classical national dance drama, this paper expounds the influence of opera, ballet and folk dance on the Chinese classical folk dance drama, and analyzes its achievements and disadvantages through comparative analysis. The second chapter focuses on the stage from the late 1970s to the early eighties, expounding the function of "body rhyme" on classical dance repertoire and the development of narrative classical dance repertoire in this stage. In the third chapter, focusing on the classical dance repertoire of this type, modern type and archaic type, the author makes a detailed analysis and exploration of the development of Chinese classical dance repertoire from the end of 1980s to the present, and thinks about the development of classical dance repertoire in this stage. Affirm its achievement, discuss its insufficiency, and explore its future development trend.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J722.4

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