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郎溪“跳五猖”仪式的再创造

发布时间:2018-06-15 15:32

  本文选题:跳五猖 + 仪式 ; 参考:《南京艺术学院学报(美术与设计)》2017年06期


【摘要】:本文结合田野考察,将历史记载中的"跳五猖"仪式、1993年的"跳五猖"恢复首演与2017年正月十三的"跳五猖"展演相比较,发现祠山神祭祀及"跳五猖"的命运历经历史的风雨跌宕,表现形式和参与者的意识形态已经有了根本性的转变,进而从顺延——即对跳五猖的兴衰起决定作用的权力阶层的意志,和广延——具有能动性的民众们赋予它新的意义两个层面探讨转变的背后"跳五猖"仪式的再创造。
[Abstract]:Based on field investigation, this paper compares the historically recorded "Jump five rampant" ceremony and the "Jump five rampant" first run in 1993 with the "Jump five rampant" in January 13, 2017. It was found that the fate of the sacrifice of the temple, the mountain god and the "jumping five rages" had undergone historical ups and downs, and the forms of expression and the ideology of the participants had undergone a fundamental change. Then, from two aspects of the will of the power class that plays a decisive role in the rise and fall of FJV, and the new meaning given to it by the active people, this paper discusses the re-creation of the "Jump five rampant" ritual behind the change.
【作者单位】: 南京艺术学院设计学博士后流动站;
【基金】:2016年江苏省博士后科研资助《人类学视野下胥河沿岸跳五猖仪式研究》阶段性成果 2016年南京林业大学青年科技创新基金项目,《艺术人类学视野下南京民间手工艺研究》阶段性成果(CX2016036)
【分类号】:J722.29


本文编号:2022538

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