回到广场:新世纪以来群众舞蹈发展的空间迁移

发布时间：2018-06-20 08:18

  本文选题：剧场化 + 大众化　； 参考：《北京舞蹈学院学报》2017年02期

【摘要】：在中国近现代当代舞蹈史的发展进程中,文艺与大众紧密联系,这使得群众舞蹈的发生具有一定社会与历史必然性。本文认为,以新世纪为时间节点,从新中国成立以来至新世纪以前,群众舞蹈结合中国舞蹈史发展的具体性而呈现走向剧场的精英化的历程,其特点是呈现出由现代性的“分化”功能所带来的一系列艺术本体的相应转变;而进入新世纪以来,由于新兴的消费社会的崛起和大众文化的世俗性与娱乐性要求,群众舞蹈的空间又呈现出向广场回归的倾向,以健身怡情为主要目的广场舞之兴起,则体现后现代社会中“去分化”的力量,生活的质朴与生动由此延展进以往代表着阳春白雪的艺术世界。
[Abstract]:In the development process of Chinese modern dance history, literature and art are closely related to the masses, which makes the occurrence of mass dance have certain social and historical inevitability. This paper holds that, taking the new century as the time node, from the founding of New China to the beginning of the new century, the mass dance, combined with the concreteness of the development of the history of Chinese dance, presents the course of excellence towards the theatre. It is characterized by the corresponding changes of a series of artistic Noumenon brought about by the function of "differentiation" of modernity, and since the beginning of the new century, due to the rise of the emerging consumer society and the secular and entertaining requirements of popular culture, The space of mass dance shows the tendency of returning to square again. The rise of square dance, whose main purpose is fitness and happiness, reflects the power of "dedifferentiation" in the post-modern society. The simplicity and vividness of life extend into the artistic world that used to represent the bright spring and snow.
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本文编号：2043627