湖南江华地区瑶族长鼓舞的田野调查与研究

发布时间：2018-07-10 01:33

本文选题：瑶族长鼓舞 + 形态　；参考：《中央民族大学》2009年硕士论文

【摘要】： 舞蹈是由身体作为媒介的一种社会行为方式,也是一种以动态的形式传达人类情感的社会艺术活动。透过肢体的律动,它传递文化、沟通感情、表达形象。舞蹈与文化密不可分。在了解一个群体的舞蹈时,不能只视其为表象的符号,更应将其放入更为广泛的社会文化的语境中去解读,才能进一步诠释舞蹈背后丰富的象征意涵。本文选取流传在湖南江华地区的瑶族民间传统舞蹈“长鼓舞”为研究对象,结合笔者田野调查,以“长鼓舞”为核心,置于历史、文化的大背景中综合考察研究,在文化变迁的动态视角中力求较系统、完整、深入地对长鼓舞的历史源流、形态特征、文化内涵以及传承发展等问题给予一定的分析与阐释。论文由五个部分组成:绪论,主要阐明本文的选题缘由、与本文相关的研究成果及研究方法和目的。第一章,通过对瑶族历史记忆中的长鼓舞的追溯,概述长鼓舞的相关文化背景,呈现长鼓舞的发展脉络。第二章,通过田野调查,对长鼓舞的形态进行描述与分析,利用舞蹈生态学特征提取的研究方法,对长鼓舞的典型动态和结构意义进行阐释。第三章,探讨现代化进程中长鼓舞的形态与功能的变迁,从“非遗”的保护、文化品牌的创立、艺术作品的创作等方面对长鼓舞的传承与发展提出一些理性思考。余言,来自对长鼓舞田野现状的反思:民族“文化自觉”意识的加强,有利于促进长鼓舞的文化传承与发展。把濒临失传的长鼓舞置于社会文化的大语境中,对其当前的风貌进行深入的“言说”。在研究方法论上,运用文化人类学、舞蹈生态学、民俗学等相关理论方法,一方面注重对舞蹈语汇的详细描述和语境化诠释;一方面强调对民间舞蹈社会意义的阐释和对舞蹈功能的创新性理解。其目的在于挖掘出现阶段长鼓舞表演形态及功能发生变迁的原因,为民族民间舞蹈的发展走向提供一些参考性建议。
[Abstract]:Dance is a kind of social behavior which is mediated by the body, and it is also a kind of social artistic activity which conveys human emotion in the dynamic form. Through physical rhythms, it conveys culture, communicates feelings, and expresses images. Dance and culture are inseparable. When we understand the dance of a group, we should not only regard it as a symbol of appearance, but also put it into a broader context of social culture to interpret it, so as to further interpret the rich symbolic meaning behind the dance. This article selects the Yao folk traditional dance "Chang-During" spread in the Jiang Hua area of Hunan Province as the research object, combining with the author's field investigation, taking "Chang-During" as the core, under the background of history and culture. In the dynamic perspective of cultural change, the author tries to give a certain analysis and explanation of the historical source, morphological characteristics, cultural connotation and inheritance and development of the long inspiration in a more systematic, complete and thorough way. The thesis is composed of five parts: introduction, the reason of this paper, research results and research methods and purposes. The first chapter, through tracing back to the long inspiration in Yao's historical memory, summarizes the cultural background of the long inspiration and presents the development context of the long inspiration. The second chapter, through field investigation, describes and analyzes the form of the long inspiration, and explains the typical dynamic and structural significance of the long inspiration by using the research method of extracting the ecological characteristics of dance. The third chapter discusses the changes of the form and function of the long inspiration in the process of modernization, and puts forward some rational thoughts on the inheritance and development of the long inspiration from the protection of "non-legacy", the establishment of cultural brand, the creation of artistic works, and so on. Yu Yan, from the reflection on the present situation of the Chang-inspiring Field: the strengthening of the national consciousness of "cultural consciousness" is conducive to promoting the cultural inheritance and development of Chang-During. In the context of social culture, we put the lost inspiration in the context of social culture, and make a deep statement of its current style and features. In the research methodology, using cultural anthropology, dance ecology, folklore and other relevant theoretical methods, on the one hand, pay attention to the detailed description of dance vocabulary and contextualization interpretation; On the one hand, it emphasizes the interpretation of the social significance of folk dance and the innovative understanding of dance function. The purpose of this study is to find out the reasons for the changes in the form and function of the long-inspiring performance in the period of emergence, and to provide some reference suggestions for the development of folk dance.
【学位授予单位】：中央民族大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J722.22

【引证文献】