胶州秧歌艺术流变成因刍议
发布时间：2018-07-14 10:12
【摘要】：本文通过对新中国成立前胶州秧歌艺术形态产生、发展,并在风格上渐趋成熟的前在"内质"梳理,认为新中国成立前后解放区的社会土地改革,50年代国家对文艺发展的内政、外交需求以及文艺政策导向,促使胶州秧歌从形式到内容全方面接受改造,形成与新中国成立前艺术风格的重要反差与流变。"文革"十年胶州秧歌面临艺术断层。改革开放政策下,社会主义市场经济体制逐步确定、深化与完善,使得转型之后的胶州秧歌无从应对新时代经济语境一种尴尬境况,经济全球化背景下国家文艺政策有了再思考与新策略。
[Abstract]:By combing the appearance and development of Yangko art in Jiaozhou before the founding of New China, and gradually maturing in style before the founding of the people's Republic of China, the author thinks that the social land reform in the liberated areas before and after the founding of New China and the internal affairs of the state to the development of literature and art before and after the founding of the people's Republic of China. Diplomatic demand and literary and artistic policy guidance have prompted Jiaozhou Yangge to be transformed in all aspects from form to content, forming an important contrast and evolution with the artistic style before the founding of New China. " During the Cultural Revolution, Jiaozhou Yangko faced an artistic fault in ten years. Under the policy of reform and opening up, the socialist market economic system is gradually determined, deepened and perfected, which makes Jiaozhou Yangko unable to cope with an awkward situation in the economic context of the new era after the transformation. Under the economic globalization background, the national literature and art policy has rethought and the new strategy.
【作者单位】： 齐鲁师范学院音乐学院;
【基金】：齐鲁师范学院校级青年教师科研基金项目“胶州秧歌艺术流变研究”(课题编号2017W0703)研究成果
【分类号】：J722.211
[Abstract]:By combing the appearance and development of Yangko art in Jiaozhou before the founding of New China, and gradually maturing in style before the founding of the people's Republic of China, the author thinks that the social land reform in the liberated areas before and after the founding of New China and the internal affairs of the state to the development of literature and art before and after the founding of the people's Republic of China. Diplomatic demand and literary and artistic policy guidance have prompted Jiaozhou Yangge to be transformed in all aspects from form to content, forming an important contrast and evolution with the artistic style before the founding of New China. " During the Cultural Revolution, Jiaozhou Yangko faced an artistic fault in ten years. Under the policy of reform and opening up, the socialist market economic system is gradually determined, deepened and perfected, which makes Jiaozhou Yangko unable to cope with an awkward situation in the economic context of the new era after the transformation. Under the economic globalization background, the national literature and art policy has rethought and the new strategy.
【作者单位】： 齐鲁师范学院音乐学院;
【基金】：齐鲁师范学院校级青年教师科研基金项目“胶州秧歌艺术流变研究”(课题编号2017W0703)研究成果
【分类号】：J722.211
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