从手印到手舞:“合掌手”

发布时间：2018-08-22 09:16

【摘要】：在有声语言产生以前,早期的手势语带有鲜明的特质,它是人类动作语言交流的印迹。目前在大多数动态文化中,形体语言虽然可以传情达意,但精确度比较有限,因不同的人来看则传达的意义或情感也可能大相径庭。没有任何一种动态文化拥有像手势语这样释义准确、表达完整的形体动作的强大体系。手是人的第二表情,佛面无语、言之在手,此话不虚。宗教信仰和艺术想象在手势、手语、手舞构成的手印文化中创造出一个精神天地。手势语的表达方式有着丰富的多样性和同构型,本文以佛教手印"合掌手"为例,从印度最古老的文献材料《梨俱吠陀》入手,追溯其发展脉络,直到"合掌手"随佛经传入中国后在中国佛教手舞中的体现。在研究过程中,笔者发现手印到手舞的演变有着巨大的潜在研究空间,在这个全新的研究平台上,我们需要进一步对印度的古文学研究,梳理源头方可追溯他们的因果关系。
[Abstract]:Before the sound language came into being, the early sign language has the distinct characteristic, it is the imprint of the human action language communication. At present, in most dynamic cultures, body language can convey feelings, but the accuracy is limited, because different people may convey different meanings or emotions. No dynamic culture has such a powerful system as sign language that accurately interprets and expresses complete body movements. The hand is the second expression of the person, the Buddha face is speechless, the speech is in the hand, this remark is not empty. Religious beliefs and artistic imagination create a spiritual world in the handprint culture of gestures, sign language, and hand dance. The expression of sign language is rich in diversity and isomorphism. This paper takes the Buddhist handprint "hand in hand" as an example, starting with the oldest document in India, "Rigveda", and tracing back its development. Until the hand in hand with the introduction of Buddhist scriptures into China in the Chinese Buddhist hand dance embodiment. In the process of research, the author found that the evolution of handprint to hand dance has a huge potential research space, in this new research platform, we need to further study the ancient literature of India, combing the source to trace their causality.
【作者单位】：北京舞蹈学院附中;
【分类号】：J705

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