叙事舞蹈创作中的“变化与统一”研究
发布时间：2018-09-09 10:37
【摘要】：舞蹈创作追求进步的重要一点就是创新与求异。回看舞蹈创作发展,优秀的舞蹈作品层出不穷。但是相比舞蹈动态的“画面”,其静态的理论发展与动态没有形成正比。本文运用舞蹈创作手法变化与统一的创作理念,以马克思哲学的研究思路去研究舞蹈创作中统一状态下的变化,并以共性、普遍性的理论具体到舞蹈作品中的呈现;同样,对舞蹈作品微观的具体分析也可以达成其理论价值。运用统一中变化的视角去阐释其理论之间存在的关系,在分析关系的基础上,舞蹈创作中动作本身的统一与变化、舞蹈调度及舞蹈结构之间的点、线、面层次递进的方式在统一中进行变化的理论分析,揭示在统一的形式中所产生变化的表现方式及理性论证。在现今全球文化的影响下,舞蹈创作的多元因素随着舞蹈作品的创新,创作者的作品从客观性逐渐发展成为创作的主体性,也就是舞蹈作品创作者思想的主观展现。对于研究舞蹈创作在统一中所产生的变化,将其变化的多样性进行归纳,具体分析则是为了呈现从舞蹈的感性认识上升到理性认识的一个过程,分析舞蹈动作、调度及结构等的细微创作变化所产生的作用和效果,来阐释创作者对客观世界的认识,并以舞蹈艺术为载体来呈现,欣赏者则对作品进行赏析。创作者----舞者----欣赏者,创作-----想象的这个过程以美学的角度去探索及阐述,探索当代舞蹈作品中统一下变化的“美学”效应。时代的快速发展,求新、求异的创新精神是所有艺术创作者的追求。“变”也应该以度制量,偏激的人则认为变化的越多越好或者相对反之,因此脱离舞蹈创作的原点。创作舞蹈的“初心”是去寻求舞蹈是什么为启点,变化与统一的创作手法及理念是提升舞蹈情感和意向的力量,是增添“有意味”的形式。本文研究统一中的变化,它受创作思维和创作情感影响的主观的自律原则,以及社会、经济、文化等其他的客观条件影响的他律原则。变化与统一本就是舞蹈的创作手法之一,将其内在的、隐性的关系,效果及创作原则进行研究,将感性的思维加工创造,通过舞蹈作品以感官的展示上升成为理性的“事实”,印证了舞蹈创作的实践认识与理性意义。
[Abstract]:The important point that dance creation pursues progress is innovation and seek difference. Looking back at the development of dance creation, excellent dance works emerge in endlessly. But compared with the dynamic picture of dance, its static theory development is not directly proportional to the dynamic. This article uses the dance creation technique change and the unified creation idea, studies the dance creation under the unified state change with the Marxist philosophy research mentality, and with the general character, the universal theory concretely presents in the dance work; similarly, The micro-analysis of dance works can also achieve its theoretical value. Using the perspective of change in unity to explain the relationship between its theory, on the basis of the analysis of the relationship, the movement itself in dance creation and change, dance scheduling and dance structure between points, lines, The theoretical analysis of the change of the progressive way of plane level in the unity reveals the expression mode and rational demonstration of the change in the unified form. Under the influence of the present global culture, with the innovation of dance works, the creation of dance works gradually develops from objectivity to subjectivity, that is, the subjective expression of dance works creators' thoughts. For the study of dance creation in the unity of the changes, the diversity of its changes are summarized, the specific analysis is to present the dance from the perceptual awareness to the rational understanding of a process, analysis of dance movements, The function and effect of minor creation changes such as scheduling and structure are used to explain the creators' understanding of the objective world and presented with dance art as the carrier, while the appreciators appreciate the works. The process of creators, dancers, appreciators, creations and imaginations explores and expounds the aesthetic effect of the change in contemporary dance works from an aesthetic point of view. The spirit of innovation is the pursuit of all artistic creators. "change" should also be based on the degree of quantity, extreme people think that the more the better or the opposite, so from the origin of dance creation. The "initial mind" of dance creation is to seek the starting point of dance. The creative techniques and ideas of change and unity are the strength to enhance the emotion and intention of dance, and the form of "meaningful" is added. This paper studies the change in unity, which is influenced by the subjective self-discipline principle of creative thinking and creative emotion, as well as the other principles influenced by social, economic, cultural and other objective conditions. Change and unity is one of the creative techniques of dance. The inherent and recessive relations, effects and creative principles are studied, the perceptual thinking is processed and created, and the dance works become rational "facts" through the display of the senses. It confirms the practical understanding and rational significance of dance creation.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J704
本文编号：2232140
[Abstract]:The important point that dance creation pursues progress is innovation and seek difference. Looking back at the development of dance creation, excellent dance works emerge in endlessly. But compared with the dynamic picture of dance, its static theory development is not directly proportional to the dynamic. This article uses the dance creation technique change and the unified creation idea, studies the dance creation under the unified state change with the Marxist philosophy research mentality, and with the general character, the universal theory concretely presents in the dance work; similarly, The micro-analysis of dance works can also achieve its theoretical value. Using the perspective of change in unity to explain the relationship between its theory, on the basis of the analysis of the relationship, the movement itself in dance creation and change, dance scheduling and dance structure between points, lines, The theoretical analysis of the change of the progressive way of plane level in the unity reveals the expression mode and rational demonstration of the change in the unified form. Under the influence of the present global culture, with the innovation of dance works, the creation of dance works gradually develops from objectivity to subjectivity, that is, the subjective expression of dance works creators' thoughts. For the study of dance creation in the unity of the changes, the diversity of its changes are summarized, the specific analysis is to present the dance from the perceptual awareness to the rational understanding of a process, analysis of dance movements, The function and effect of minor creation changes such as scheduling and structure are used to explain the creators' understanding of the objective world and presented with dance art as the carrier, while the appreciators appreciate the works. The process of creators, dancers, appreciators, creations and imaginations explores and expounds the aesthetic effect of the change in contemporary dance works from an aesthetic point of view. The spirit of innovation is the pursuit of all artistic creators. "change" should also be based on the degree of quantity, extreme people think that the more the better or the opposite, so from the origin of dance creation. The "initial mind" of dance creation is to seek the starting point of dance. The creative techniques and ideas of change and unity are the strength to enhance the emotion and intention of dance, and the form of "meaningful" is added. This paper studies the change in unity, which is influenced by the subjective self-discipline principle of creative thinking and creative emotion, as well as the other principles influenced by social, economic, cultural and other objective conditions. Change and unity is one of the creative techniques of dance. The inherent and recessive relations, effects and creative principles are studied, the perceptual thinking is processed and created, and the dance works become rational "facts" through the display of the senses. It confirms the practical understanding and rational significance of dance creation.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J704
【引证文献】
相关期刊论文 前1条
1 孙化猛;;动作结构在舞蹈创作中的作用研究[J];大众文艺;2017年16期
，本文编号：2232140
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