鸾歌凤舞到蓬瀛——晚清海外游记西方舞蹈史料考述
发布时间：2018-09-14 06:57
【摘要】：正中国传统常将音乐、舞蹈和诗歌并举,三者合一为"乐";有舞必有乐,音乐、舞蹈互为依存,正所谓"诗言其志也,歌咏其声也,舞动其容也,三者本于心然后乐器从之"。直至清代,综而论之,其音乐形制仍是以宫廷乐舞、戏曲歌舞和民间歌舞三大类型为主的乐舞形态,乐舞合一,舞不专分。同时,满汉一体的政治体制客观
[Abstract]:Chinese tradition often combines music, dance and poetry as "music"; when there is dance, there is music, music and dance depend on each other. The so-called "poetry speaks its will, sing its voice, dance its appearance, three based on the heart and then musical instruments from it." Until the Qing Dynasty, as a whole, its music form is still the court music and dance, opera song and dance and folk music and dance three major types of music and dance form, music and dance in one, dance is not specialized. At the same time, the political system of integration of Manchu and Han is objective.
【作者单位】： 河南大学艺术学院;河南大学黄河文明传承与现代文明建设河南省协同创新中心;
【基金】：2013年教育部人文社科研究项目“晚清域外游记音乐史料研究”(项目编号:YJC760041)的阶段性成果
【分类号】：J709.1
，
本文编号：2241903
[Abstract]:Chinese tradition often combines music, dance and poetry as "music"; when there is dance, there is music, music and dance depend on each other. The so-called "poetry speaks its will, sing its voice, dance its appearance, three based on the heart and then musical instruments from it." Until the Qing Dynasty, as a whole, its music form is still the court music and dance, opera song and dance and folk music and dance three major types of music and dance form, music and dance in one, dance is not specialized. At the same time, the political system of integration of Manchu and Han is objective.
【作者单位】： 河南大学艺术学院;河南大学黄河文明传承与现代文明建设河南省协同创新中心;
【基金】：2013年教育部人文社科研究项目“晚清域外游记音乐史料研究”(项目编号:YJC760041)的阶段性成果
【分类号】：J709.1
，
本文编号：2241903
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