论“丽人行”表演模式

发布时间：2018-11-20 15:54

【摘要】：本文以朝鲜族舞蹈《丽人行》的舞台演出为依据,针对丽人延宕性格、丽人之行、内心视像的表演状态进行客观地阐述与解析。大凡朝鲜族民俗舞蹈的表演模式,离不开《扇子舞》、《纱巾舞》、《圆鼓舞》、《刀舞》和《象帽舞》等具有道具特点的表演模式,《丽人行》也不例外。其表演模式注重原生的文化形态,在对秋叶“寄意于物”、对帽子“借物抒怀”的情感表述中,通过表演,延宕着一个“情窦初开”的朝鲜族少女,对生命、对青春的眷顾和独白。同时,文章在结语处还就对舞蹈表演与生活逻辑的关系提出自己的看法,即对于舞蹈表演而言,生活逻辑仅仅是事物流动的顺序规则,而合乎情感真实的舞蹈艺术逻辑,恰恰需要广泛的文化理解与认同。
[Abstract]:On the basis of the stage performance of Korean dance, this paper objectively expounds and analyzes the performance state of beauty person's delay character, beauty person's trip and inner visual image. The performance mode of Korean folk dance can not be separated from "fan dance", "veil towel dance", "circular inspiration", "Dao dance" and "elephant hat dance", and so on. Its performance model pays attention to the original cultural form. In the emotional expression of the autumn leaves, "to express things" and to the hat "to express things," through the performance, there is a Korean girl who is "at the beginning of the love", who is right about life. A soliloquy for youth. At the same time, in the conclusion, the article also puts forward his own view on the relationship between dance performance and life logic, that is, for dance performance, life logic is only the order rule of things flowing, and conforms to the emotional real dance art logic. It just needs a wide range of cultural understanding and identification.
【学位授予单位】：北京舞蹈学院
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J722.22

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