吐蕃统治时期唐蕃文化交流对敦煌舞蹈的影响研究

发布时间：2019-03-18 19:45

【摘要】：敦煌舞蹈作为人类历史文化长河与敦煌艺术宝库中的瑰宝和不可或缺的重要组成部分,极大扩展和丰富了中国古典舞蹈流派的风格类型和舞蹈语汇,使其在中国古典舞蹈和舞蹈艺术中确立了举足轻重的重要地位。敦煌乐舞艺术作为敦煌石窟艺术中不可分割的重要组成部分,吐蕃统治时期的敦煌石窟壁画乐舞也顺理成章的承载了多元文化形式以及敦煌舞蹈艺术的传承与发扬。因此,在尊重敦煌舞蹈自身发展规律的前提下,必须面对敦煌舞蹈在传承和弘扬、发展和创新的实践过程中的历史回顾与发展思考。本次研究为更加全面而深入地研究吐蕃统治时期唐蕃文化交流对敦煌舞蹈的影响,结合"图像证史"的理论观点将全文共分为《绪论》、《敦煌壁画乐舞的基本资料》、《吐蕃统治时期敦煌壁画舞蹈图式的史料研究》、《唐蕃文化交流对吐蕃统治时期敦煌舞蹈的影响》、《吐蕃统治时期敦煌舞蹈传承与发展的思考及建议》和《结语》六个部分,采用田野调查法、文献资料法、比较分析法等主要研究方法,通过深入敦煌地区及石窟群的田野调查法,广泛采集和充分获取与敦煌舞蹈相关的图像和文本资料,重点收集吐蕃统治时期敦煌乐舞壁画中的舞伎图式和舞姿形态,形成一个较为完整的感性认识;通过参阅大量敦煌舞蹈的理论专著与学术论文等文献资料法,及时访谈并咨询敦煌学与敦煌舞蹈的专家学者,去粗取精、去伪存真地保留能够全面完整、深刻准确阐明本文研究的相关文献资料和理论观点,以指导文章的主题论证;通过全面系统的横向和纵向比较分析法,根据敦煌乐舞壁画舞伎图式和舞蹈史料的分期梳理与类型归纳(横向),针对吐蕃统治时期敦煌舞姿与中国古典舞蹈对比分析研究中所具有的时代性特征与民族性风格(纵向),挖掘、提炼和升华吐蕃统治时期的敦煌舞蹈元素,多元化的拓展敦煌舞蹈的实践内容与舞台魅力,对吐蕃统治时期敦煌舞蹈艺术与社会、历史、政治、文化之间的关系展开系统性研究。
[Abstract]:Dunhuang dance, as a treasure and an indispensable part of the long river of human history and culture and the treasure house of Dunhuang art, greatly expands and enriches the style and vocabulary of Chinese classical dance genres. It has established an important position in Chinese classical dance and dance art. As an inseparable and important part of Dunhuang grotto art, Dunhuang music and dance during the period of Tubo rule also naturally carried the multicultural forms and the inheritance and development of Dunhuang dance art. Therefore, on the premise of respecting the development law of Dunhuang dance itself, we must face the historical review and development thinking of Dunhuang dance in the process of inheriting and carrying forward, developing and innovating. In order to study the influence of Tang-Tibetan cultural exchange on Dunhuang dance in the period of Tubo rule, this study divides the full text into "introduction" and "basic data of Dunhuang mural music and dance" in combination with the theoretical point of view of "History of Image evidence". "Historical data study of Dunhuang Mural Dance Schema in Tubo period", "the influence of Tang-Tibetan Cultural Exchange on Dunhuang Dance during Tubo-ruling period", "thoughts and suggestions on the inheritance and Development of Dunhuang Dance in Tubo period" and "the conclusion" six parts, using field survey, literature, comparative analysis and other major research methods. Through the field investigation in Dunhuang area and grotto group, the images and text data related to Dunhuang dance are collected extensively and fully, and the dancing patterns and dance patterns in Dunhuang music and dance murals in Tubo rule period are mainly collected. Form a relatively complete perceptual understanding; By referring to a large number of theoretical monographs and academic papers on Dunhuang dance, we interviewed and consulted experts and scholars of Dunhuang and Dunhuang dance in a timely manner, to get rid of coarseness and refine, to identify fake things, and to retain the real things and retain them completely and completely. Deeply and accurately clarify the relevant literature materials and theoretical points of view, in order to guide the theme of the article; Through the comprehensive and systematic horizontal and vertical comparative analysis method, according to the Dunhuang mural dance gimmick schema and dance historical materials by stages comb and type induction (horizontal), According to the comparative analysis of Dunhuang dance posture and Chinese classical dance in the period of Tubo rule, this paper explores, refines and sublimates the elements of Dunhuang dance in the period of Tubo rule, which is characterized by the characteristics of the times and the national style (longitudinally). Diversified development of Dunhuang dance practice content and stage charm, the Tubo rule period Dunhuang dance art and society, history, politics, culture of the relationship between the systematic study.
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J722.4

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