台港当代文艺美学研究简述

发布时间：2018-01-17 03:00

本文关键词：台港当代文艺美学研究简述　出处：《山东大学》2008年硕士论文　论文类型：学位论文

【摘要】： 文艺美学是新时期以来由中国学者提出的,极富中国特色的新兴学科,是中国学者对世界学术发展的一个贡献。为了促进该学科的进一步发展和繁荣,对文艺美学进行学术史的整理是当前文艺美学研究的重要任务之一。在对文艺美学学科发展学术史的整理中,我们不但要关注中国大陆学者取得成就,同时也更应该注意台港学者在此学科的发展过程中所做出的重要贡献,因为台港当代文艺美学研究是中国文艺美学学术史的重要组成部分。本文想在掌握较为丰富的资料的基础上对台港的文艺美学资源做一简单的梳理,以此来丰富中国文艺美学学科建设的武库。台港学者在文艺美学研究方面没有标举一门学科的意识,甚至连出现“文艺美学”字样的著作都很寥寥,但这并不能说台港地区就没有文艺美学发展之实。我们从以下几个方面就可以简略地洞悉台港地区文艺美学发展的状况:首先是台港文艺美学方面最重要的著作,即王梦鸥的《文艺美学》,王先生在这本著作中,借鉴中西方文艺理论的资源大致形成了自己的文艺审美体系,认为文学是表现美的文字工作,提倡用美学去研究文艺的审美目的。正是王先生的论著直接启示了大陆的胡经之先生倡导发展该学科,并且该著作也对台港当代文艺美学研究的发展产生了极为重要的影响;在王梦鸥之后,台港地区在文学与美学研究领域的成果引人瞩目,出现了一大批学者专著。他们重视诗歌艺术的审美特性及与其它门类艺术的汇通,关注中国文艺抒情传统的审美历程,建构和深拓文学美的理论体系等,他们在此方面的研究是文艺美学研究的重要内容;同时,在艺术与美的研究领域,台港学者也做出了重要的功绩,他们对艺术一般审美活动及审美特性的论述,对中国传统艺术精神与传统艺术形式更迭的追寻,也都给我们以重要的启示;另外,台港学者在中外文艺比较领域也用力颇勤,他们融合汇通中西文艺资源,通过比较,分析,彰显中国古代文艺美学思想的独特价值,主张立足于本民族文艺理论发展的实际,弘扬传统,以文化输出的方式影响整个世界。总之,台港学者在文艺美学研究领域有着自己的特色,他们倾向于具体问题的把握与分析,给我们大陆的文艺美学研究带来了很多有益的学术启示。因此,我们应该在总结吸收各方面文艺美学资源的基础上锐意创新,进一步发展和繁荣具有中国特色的文艺美学学科,同时也更应注意与台港地区文艺美学研究的交流,以促进台港地区文艺美学学科的建立和发展。
[Abstract]:The aesthetics of literature and art is a new discipline with Chinese characteristics which has been put forward by Chinese scholars since the new period. It is a contribution of Chinese scholars to the academic development of the world in order to promote the further development and prosperity of the subject. The academic history of literature and art aesthetics is an important Ren Wuzhi in the current literature and art aesthetics research. In sorting out the academic history of the development of literature and art aesthetics, we should not only pay attention to the achievements of mainland Chinese scholars, but also pay attention to the important contributions made by scholars from Taiwan and Hong Kong in the development of this discipline. Because the study of contemporary literature and art aesthetics in Taiwan and Hong Kong is an important part of the academic history of Chinese literature and art aesthetics, this paper wants to make a simple combing of the literature and art aesthetics resources of Taiwan and Hong Kong on the basis of mastering more abundant materials. In order to enrich the discipline of Chinese literature and art aesthetics construction of the arsenal. Taiwan and Hong Kong scholars do not have the consciousness to cite a discipline in the study of literary and artistic aesthetics, and even there are very few works in which the words "literary and artistic aesthetics" appear. However, it is not true that there is no development of literary aesthetics in Taiwan and Hong Kong. From the following aspects, we can have a brief insight into the development of literary aesthetics in Taiwan and Hong Kong:. The first is the most important works of literature and art aesthetics in Taiwan and Hong Kong. Wang Menggou's "Aesthetics of Literature and Art", in which Mr. Wang draws lessons from the resources of Chinese and Western literary theories, has formed his own aesthetic system of literature and art, and thinks that literature is the literary work of expressing beauty. It is Mr. Wang's works that directly enlighten Mr. Hu Jingzhi on the mainland to develop the subject. And this work has also had an extremely important influence on the development of contemporary literary and artistic aesthetics in Taiwan and Hong Kong. After Wang Menggou, the achievements of Taiwan and Hong Kong in the field of literature and aesthetics have attracted great attention, and a large number of scholars' monographs have appeared. They attach importance to the aesthetic characteristics of poetic art and the confluence with other kinds of art. They pay close attention to the aesthetic course of Chinese literary lyric tradition, construct and develop the theoretical system of literary beauty, and their research in this respect is the important content of literature and art aesthetics research. At the same time, in the field of art and beauty, scholars in Taiwan and Hong Kong have also made important achievements, they have discussed the general aesthetic activities and aesthetic characteristics of art, and sought to change the spirit of Chinese traditional art and the change of traditional art forms. Also give us important enlightenment; In addition, Taiwan and Hong Kong scholars in the field of Chinese and foreign literature and art comparison is also very hard, they merge the Chinese and Western literature and art resources, through comparison, analysis, show the unique value of ancient Chinese literary aesthetics. The author advocates that the whole world should be influenced by the way of cultural output, based on the actual development of the national literature and art theory, to carry forward the tradition. In a word, the scholars of Taiwan and Hong Kong have their own characteristics in the field of literature and art aesthetics, they tend to grasp and analyze the specific problems, which brings us a lot of useful academic inspiration for the study of literature and art aesthetics in mainland China. We should make innovations on the basis of summing up and absorbing all kinds of literature and art aesthetics resources, and further develop and prosper the subject of literature and art aesthetics with Chinese characteristics. At the same time, we should pay more attention to the exchange of literature and art aesthetics research with Taiwan and Hong Kong in order to promote the establishment and development of literature and art aesthetics in Taiwan and Hong Kong.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：I01

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