多重文化视域下的“姐妹情谊”书写

发布时间：2018-01-18 13:08

本文关键词：多重文化视域下的“姐妹情谊”书写　出处：《兰州大学》2007年硕士论文　论文类型：学位论文

【摘要】： 作为女性主义理论和批评的基本原则，“姐妹情谊”对整个女性地位的争取和女性的话语言说都具有重要意义。本文以女性主义批评理论作为阐释的理论背景，以中国现当代女作家的“姐妹情谊”书写作为批评审视的对象，力图揭示多重文化视域下的“姐妹情谊”书写的内涵、困境及其折射出来的社会文化变迁。全文分为三章：第一章探讨“姐妹情谊”话语的理论资源。从界定“姐妹情谊”出发，追溯“姐妹情谊”的产生缘由，透析“姐妹情谊”中包含的政治及心理因素，，反省其书写历史的“空白之页”包含的文化内涵，梳理“姐妹情谊”书写的发展与批评实践的衍变状况。第二章分析中国女性写作中“姐妹情谊”的现实图景。通过文本的比照解读，梳理和分析“姐妹情谊”话语的多重解读可能性：或作为反抗与解放，争取女性社会价值的一种声音；或是以“化装”的方式讲述女性自我的觉醒；或解构异性爱霸权地位，探索二元并立的结构；或彻底拒斥男性价值中心，从向往与犹豫相互缠绕到勇敢地“破开”。标示出当代女性写作的对这一现象探讨的纵深掘进和开放性。第三章论述了“姐妹情谊”的乌托邦性质与现实困境。审视和陈述了“姐妹情谊”书写陷入“困境”的四个原因：“女性政治结盟的困难”、“女性共同经验的虚妄”、“被男权社会隔离”、“被母性妻性解构”。结语部分以此为出发点对中国女性写作与文学批评的未来发展做出了思考。“双性和谐”与“超性别写作”是论文的结论性观点。
[Abstract]:As the basic principle of feminist theory and criticism, "sisterhood" plays an important role in the struggle for the status of women and the language of women. This paper takes feminist criticism theory as the theoretical background of interpretation. Taking the writing of "sisterhood" by Chinese modern and contemporary female writers as the object of criticism, this paper tries to reveal the connotation, predicament and social and cultural changes of the writing of "sisterhood" from the perspective of multiple cultures. The full text is divided into three chapters: the first chapter discusses the theoretical resources of "sisterhood" discourse, starting from the definition of "sisterhood", tracing back to the origin of "sisterhood". This paper analyzes the political and psychological factors contained in "sisterhood", reflects on the cultural connotations contained in "blank pages" in its writing history, and combs the development of "sisterhood" and the evolution of critical practice. The second chapter analyzes the realistic picture of "sisterhood" in Chinese women's writing, combs and analyzes the possibility of "sisterhood" utterance through the comparative interpretation of the text: or as resistance and liberation. A voice for women's social values; Or "disguise" way to tell the awakening of the female self; Or deconstructing the hegemonic position of heterosexual love and exploring the structure of duality; Or completely reject the male value center, from yearning and hesitating intertwining to bravely "breaking open". The third chapter discusses the utopian nature of sisterhood and its realistic predicament. It examines and states the four reasons why sisterhood falls into "dilemma": "the difficulty of women's political alliance". The falsehood of the common experience of women, segregated by patriarchal society and deconstructed by maternal wives. The conclusion part takes this as the starting point to think about the future development of Chinese female writing and literary criticism. "bisexual harmony" and "transgender writing" are the conclusion of the thesis.
【学位授予单位】：兰州大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：I06

【引证文献】